WEBVTT

00:02.470 --> 00:08.860
In early 2018, researchers in Rome
unveiled the 3D carbon copy of what Jesus

00:08.860 --> 00:12.580
looked like, based on measurements of the
Shroud of Turin.

00:13.840 --> 00:19.140
The Shroud of Turin is a 14 foot linen
cloth that is believed to have wrapped the

00:19.140 --> 00:21.960
body of Jesus Christ after his
crucifixion.

00:22.580 --> 00:28.380
The statue is a three-dimensional
representation in actual size of the man

00:28.380 --> 00:33.360
of the Shroud, created following the
precise measurements taken from the cloth.

00:34.200 --> 00:39.200
Giulio Fanti, a professor of mechanical
and thermal measurements and a scholar of

00:39.200 --> 00:43.060
the Shroud of Turin, used his own
measurements of the impression on the

00:43.060 --> 00:45.160
Shroud to create the carbon copy.

00:46.060 --> 00:51.240
Professor Fanti has studied the Shroud for
the last 20 years and led the research

00:51.240 --> 00:54.220
team that created the 3D model of Jesus.

00:55.120 --> 01:00.440
Based off the model, they were able to
tell he was nearly 5 feet 11 inches tall,

01:00.780 --> 01:05.620
whereas the average height at the time was
around 5 feet 5 inches tall.

01:06.340 --> 01:11.060
Researchers believe that they finally have
the precise image of what Jesus looked

01:11.060 --> 01:11.480
like.

01:11.900 --> 01:17.480
And based on the marks on the Shroud of
Turin, Jesus received a total of at least

01:17.480 --> 01:18.960
600 blows.

01:19.920 --> 01:23.480
The sculpture of his tortured body
reflects these wounds.

01:24.240 --> 01:30.260
Professor Fanti said, I counted 370 wounds
without taking into account the wounds on

01:30.260 --> 01:36.020
his sides, which the Shroud does not show
because it only enveloped the back and the

01:36.020 --> 01:36.780
front of the body.

01:37.220 --> 01:42.060
We can therefore hypothesize a total of at
least 600 blows.

01:42.940 --> 01:47.660
Professor Fanti goes on to say,
we have studied for years the image left

01:47.660 --> 01:52.200
by the body on the sheet, using the most
sophisticated 3D technologies,

01:52.660 --> 01:55.220
and the statue is the final result.

01:56.120 --> 02:01.200
The University of Padau and Padau Hospital
worked in collaboration with sculptor

02:01.200 --> 02:04.820
Sergio Rodella to create the life-size
image.

02:05.840 --> 02:10.920
Now I read about 20 different articles on
this topic, hoping to read about how they

02:10.920 --> 02:13.220
made the actual 3D copy itself.

02:13.500 --> 02:15.960
What technique or machine did they use?

02:16.300 --> 02:19.940
Did they sculpt it by hand or did they use
some kind of 3D printer?

02:20.560 --> 02:23.880
But not one article or video covers that
information.

02:24.540 --> 02:30.980
However, I found another video from July
2017 of a 3D statue made out of bronze,

02:31.000 --> 02:36.820
and the statue itself is, from what I can
tell from the video, identical to the 3D

02:36.820 --> 02:41.560
carbon copy statue, as his pose and marks
on the body look the same.

02:42.320 --> 02:47.620
They explain the process in making the
statue in the about section on that video,

02:48.100 --> 02:49.380
and this is what they said.

02:50.160 --> 02:55.640
The shroud is encoded with 3D information
that is found from the spaces between the

02:55.640 --> 02:59.740
highest and lowest points of the body and
its distance from the cloth.

03:00.420 --> 03:06.240
Recently, a VP8 analyzer that gives
topographical information about the Moon

03:06.240 --> 03:08.860
and Mars terrain was used on the cloth.

03:09.520 --> 03:13.140
A 3D holographic image was formed of the
face and body.

03:13.740 --> 03:19.520
An artist then used the exact dimensions
of the 3D shroud image to create a bronze

03:19.520 --> 03:22.540
replica of the physical form of Jesus
Christ.

03:24.600 --> 03:29.040
We have real blood proven scientifically.

03:29.760 --> 03:35.620
We have an image that's neither painted
nor photographed nor scorched nor rubbed

03:35.620 --> 03:40.320
or in any way made by the hand of a man.

03:40.920 --> 03:48.280
The image on the shroud is definitely not
manufactured, meaning made intentionally

03:48.280 --> 03:49.180
to fool us.

03:56.080 --> 03:59.920
This shroud has been wrapped around the
body of a man who was tortured,

04:00.620 --> 04:05.860
flagellated, crowned with thorns,
crucified at the time of the Roman Empire.

04:08.320 --> 04:12.420
All of which corresponds to what the
Gospels tell us concerning Jesus.

04:13.220 --> 04:13.860
The

04:20.800 --> 04:24.920
Shroud of Turin provides a great challenge
for science.

04:25.760 --> 04:33.660
It's a challenge because it's a piece of
cloth that contains an image with physical

04:33.660 --> 04:39.780
properties unlike any other image I have
ever seen or anyone has ever seen.

04:41.360 --> 04:43.740
I have spent 32 years studying it.

04:44.640 --> 04:50.760
32 years, half my life studying it and yet
I still don't have the answers.

04:51.240 --> 04:56.320
The man I worked with from Los Alamos
called me again and he said, Barry,

04:56.660 --> 04:59.200
what do you know about the Shroud of
Turin?

04:59.800 --> 05:00.680
And I laughed.

05:01.140 --> 05:02.460
I said, but I'm Jewish.

05:03.660 --> 05:05.540
And he said, me too.

05:05.720 --> 05:06.820
He was also Jewish.

05:07.400 --> 05:13.640
And he said and explained to me that at
that point a number of scientists had

05:13.640 --> 05:20.360
taken a photo of the Shroud and he said
they were so amazed that this image has

05:20.360 --> 05:27.240
such properties they were going to put
together a team of scientists to see if

05:27.240 --> 05:33.460
they could get permission to go to Turin
and examine the Shroud to try and

05:33.460 --> 05:36.240
determine how this image was formed.

05:38.720 --> 05:44.720
About two months into the project I
remember saying to one of the other team

05:44.720 --> 05:49.300
members, what is a Jewish boy like me
doing on this?

05:49.460 --> 05:53.100
And he laughed and he said, you forgot
that the man on the Shroud is Jewish?

05:53.220 --> 05:54.240
And I said, no, I know this.

05:54.280 --> 05:54.560
I know.

05:55.180 --> 05:58.940
And then he gave me the best advice maybe
of my whole life.

06:00.160 --> 06:02.720
He said, Barry, go to Turin.

06:03.260 --> 06:05.460
Do the best job you can do.

06:06.340 --> 06:11.560
God doesn't tell us in advance what the
plan is, but one day you'll know.

06:12.660 --> 06:14.260
And this was great advice.

06:14.840 --> 06:16.400
And that kept me on the team.

06:16.480 --> 06:17.300
I was going to quit.

06:18.160 --> 06:23.540
But because of his words from God,
maybe through his lips, I stayed on the

06:23.540 --> 06:23.780
team.

06:26.700 --> 06:32.880
But the most important property of the
Shroud's image is the fact that the

06:32.880 --> 06:39.400
distance between the cloth and the body
made the density of the image change.

06:42.550 --> 06:46.230
So the closer it was, the darker the
image.

06:46.590 --> 06:48.850
The further away, the lighter the image.

06:49.530 --> 06:55.090
So the image on the Shroud is not just
from contact, because it worked at a

06:55.090 --> 06:56.530
distance from the body.

06:57.210 --> 07:04.650
So the correlation of cloth to body
distance yielded different densities of

07:04.650 --> 07:05.170
the image.

07:05.470 --> 07:11.190
So when we looked at it with the VP8,
we saw the natural relief of a human form.

07:13.850 --> 07:15.850
Now, how do we make images like that?

07:15.910 --> 07:17.290
We cannot duplicate this.

07:19.150 --> 07:25.790
And this three-dimensional information is
the only image in the world that has this

07:25.790 --> 07:26.290
property.

07:32.610 --> 07:37.730
This image imprinted on the Shroud was
revealed in even more detailed relief in

07:37.730 --> 07:42.370
2005, when it was transformed into a
three-dimensional image.

07:47.190 --> 07:51.870
This was achieved by Dr. Soones,
a doctor in Panama in Central America,

07:52.250 --> 07:54.510
who specializes in three-dimensional
imaging.

07:58.190 --> 08:04.530
The thing that stopped me from accepting
the Shroud as authentic for years,

08:05.510 --> 08:10.150
18 years, the blood on the Shroud is still
red.

08:10.750 --> 08:12.730
Old blood should be black or brown.

08:13.590 --> 08:19.790
And no one could answer for 18 years,
why is the blood on the Shroud still red?

08:21.010 --> 08:26.750
And then in 1995, in a study that I did,
in a telephone conversation with Dr. Alan

08:26.750 --> 08:31.430
Adler, Jewish blood chemist, who proved,
by the way, the blood on the Shroud was

08:31.430 --> 08:32.410
blood, proved it.

08:33.470 --> 08:38.030
He and I were on the telephone just having
a conversation, and then he told me

08:38.030 --> 08:39.890
something I'd never known before.

08:41.270 --> 08:47.410
When someone is tortured over an extended
period of time, 24 hours, 36 hours,

08:47.750 --> 08:53.410
right around the time of Jesus' torture,
the body goes into shock.

08:54.330 --> 08:57.590
Jesus was given no water, he was beaten,
he was scourged.

08:58.150 --> 09:00.830
Consequently, he went into anaphylactic
shock.

09:02.110 --> 09:07.850
After a period of time in this type of
shock, the cell walls of the red blood

09:07.850 --> 09:09.770
cells begin to break down.

09:11.290 --> 09:17.390
And the liver floods the body,
the bloodstream, with an enzyme called

09:17.390 --> 09:18.270
bilirubin.

09:20.170 --> 09:23.510
And when that happens, the blood stays red
forever.

09:24.650 --> 09:28.630
And when I found that out, that was the
last piece of the puzzle.

09:29.450 --> 09:34.830
And that pushed me over the threshold and
allowed me to accept the Shroud as

09:34.830 --> 09:39.770
authentic, because it gave me a
scientific, credible answer to the last

09:39.770 --> 09:40.870
question I had.

09:41.090 --> 09:47.470
My life is better by a thousand percent
than before, because the Shroud is in my

09:47.470 --> 09:47.810
life.

09:51.410 --> 09:59.990
So as a Jew, maybe the greatest irony from
my life, I'm a Jew who can say that my

09:59.990 --> 10:04.590
faith in God was restored by my study of
the Shroud of Turin.

10:06.250 --> 10:11.010
The clues that had been brought to light
by the scientific research now made a

10:11.010 --> 10:13.570
medical examination of the image on the
Shroud possible.

10:15.230 --> 10:21.370
This examination revealed that this man
had indeed been subjected to torture and

10:21.370 --> 10:23.290
that he had died by crucifixion.

10:26.980 --> 10:29.580
We don't see a man that's just dead.

10:30.980 --> 10:35.840
We see a man whose face is swollen because
his face was beaten.

10:37.900 --> 10:43.480
And you can actually see one cheek is more
swollen than the other, but both are.

10:52.880 --> 10:59.800
There are scourge marks from a Roman
phlegm, which was a whip with three

10:59.800 --> 11:05.180
leather thongs and at the end of each was
a lead weight that shaped like a dumbbell

11:05.180 --> 11:06.800
that weightlifters use.

11:06.800 --> 11:12.920
And his body is covered with these scourge
marks, over 120.

11:22.250 --> 11:28.130
In flagellation, as applied by the Romans,
the blows not only tore the skin,

11:28.750 --> 11:33.750
but as a result of their energy,
which was absorbed in a few microseconds,

11:34.290 --> 11:37.670
they caused extremely serious internal
lesions.

11:45.040 --> 11:47.280
It is truly a horrible torture.

11:48.300 --> 11:51.740
This was a man who at the end of the
scourging was going to die.

11:52.500 --> 11:54.060
His kidneys had ceased to function.

11:54.680 --> 11:56.360
He was losing liters of blood.

11:56.960 --> 11:58.880
He was completely dehydrated.

11:59.800 --> 12:03.300
The man on the cross had no more than a
few hours left.

12:09.620 --> 12:16.720
More amazingly, those crucifixion wounds
in the hands, the bloodstains on the

12:16.720 --> 12:23.680
shroud show crucifixion through the wrist,
because the Romans knew if they crucified

12:23.680 --> 12:25.500
in the palm, you could tear it loose.

12:28.320 --> 12:34.980
But if they nail you here and the nail
comes here, you can never pull this loose.

12:39.840 --> 12:48.620
We also see bloodstains covering his head,
as if from a cap or crown of thorns.

12:50.140 --> 12:53.720
But not the beautiful things that the
artists show us.

12:53.840 --> 12:58.260
Oh, the Roman soldiers were not going to
take the time to weave a beautiful crown.

12:58.740 --> 13:04.440
They took a bush of thorns and smashed it
onto his head, causing bleeding all over

13:04.440 --> 13:04.940
his head.

13:13.400 --> 13:18.220
Every thorn that touched his flesh would
have been like an electric shock for a few

13:18.220 --> 13:20.100
seconds or even several minutes.

13:20.520 --> 13:22.180
We can hardly imagine this.

13:22.580 --> 13:25.680
When we read in the Gospels, they
crucified him.

13:36.110 --> 13:38.730
And we see a wound on his side.

13:39.670 --> 13:44.070
The darkest bloodstain on the entire
shroud is from this wound.

13:46.150 --> 13:49.690
And the blood actually went around to his
back.

13:53.570 --> 14:00.510
So we have this bloody cloth with all
these wounds, and it is a perfect match to

14:00.510 --> 14:03.350
what it tells in the Gospels was done to
Jesus.

14:11.410 --> 14:12.650
This is Jesus.

14:13.890 --> 14:15.350
This is his testimony.

14:16.230 --> 14:17.790
Here is what I have done for you.

14:19.130 --> 14:20.990
Here is what the Gospels say.

14:21.370 --> 14:22.650
Here is what I am saying.

14:22.970 --> 14:24.030
I confirm them.

14:24.410 --> 14:25.470
Here is what I have done.

14:30.730 --> 14:37.270
I was completely overwhelmed, because a
naked body, which had been tortured,

14:37.710 --> 14:42.170
with traces of blood which were only too
visible, should really have made me want

14:42.170 --> 14:42.870
to run away.

14:44.370 --> 14:47.810
But funnily enough, this was not what I
saw.

14:48.630 --> 14:54.830
I saw a body, more than just a body,
a person who seemed infinitely reassuring,

14:55.590 --> 14:56.670
filled with peace.

14:57.450 --> 15:00.550
And this wave of peace reached out to me
too.

15:02.010 --> 15:08.790
And I received a very deep and indelible
certainty, as though he was right in front

15:08.790 --> 15:13.630
of me, and he said to me, don't worry,
suffering does not have the last word,

15:13.630 --> 15:17.430
death will not swallow you up,
I've been there before you.

15:24.000 --> 15:25.820
I could say that I met him.

15:26.260 --> 15:31.940
I could say, like Fossard, he exists,
I've met him, this Jesus of two thousand

15:31.940 --> 15:35.420
years ago, I can say that I've seen him
face to face.

15:35.720 --> 15:39.090
And this wave of peace, I have to say that
it's...

15:48.450 --> 15:52.730
The word was made flesh, the Logos.

15:55.450 --> 16:02.590
He who is the word, he who is the truth,
the life, he assumed a human body.

16:08.690 --> 16:14.170
He has placed himself within our reach,
so that we can reclaim our dignity.

16:23.350 --> 16:30.230
Surely, it is our grief that he himself
bore, our sorrows, which he carried.

16:35.170 --> 16:40.130
It's as though he took the worst upon
himself, in order to allow us to breathe

16:40.130 --> 16:44.030
again, and to continue to live after our
difficulties and trials.

16:48.900 --> 16:52.460
He alone is able to transform our
suffering.

17:02.190 --> 17:06.010
And the risen body came out of this fabric
of death.

17:09.150 --> 17:14.490
And in the same way, he invites us to this
same resurgence, this resurrection,

17:15.150 --> 17:19.970
and he shows us that we don't have to
remain in the depths, but that his

17:19.970 --> 17:24.590
presence alone is itself a reassurance and
can overcome anything.

17:36.330 --> 17:38.450
His hands are very beautiful.

17:41.570 --> 17:48.150
When I think that these are the hands
which multiplied the lobes, which blessed

17:48.150 --> 17:50.590
the children and touched the blind,

18:00.930 --> 18:07.850
I see a man who is respectful,
who is afraid of making me afraid.

18:15.960 --> 18:18.320
Because God is a little shy.

18:19.060 --> 18:21.800
He's shy because he's a beggar for our
love.

18:21.800 --> 18:27.880
Our God, who is all-powerful, who could
make the galaxies dance, is poor before me

18:27.880 --> 18:32.220
because he is waiting until I am ready to
open my door for him.

18:46.670 --> 18:50.810
This information, or the fact that the
shroud's image is a photographic negative,

18:51.270 --> 18:56.210
was discovered in 1898 and marked the
beginning of a long series of photographic

18:56.210 --> 18:57.810
and data processing research.

19:02.270 --> 19:07.370
Therefore, the negative was the first step
towards discovering another important

19:07.370 --> 19:10.230
characteristic, that of its
tridimensionality.

19:10.850 --> 19:15.190
This means that the variations in
luminosity that we can see on the shroud's

19:15.190 --> 19:19.050
image represent the characteristics of the
tridimensionality of a face.

19:21.830 --> 19:27.670
This concept of tridimensionality had
already been aired many years ago in 1902

19:27.670 --> 19:32.330
by Paul Vignon, who was one of the most
important and famous experts on the

19:32.330 --> 19:32.630
shroud.

19:33.890 --> 19:39.890
However, it was necessary to wait until
1977 to see that when some processing

19:39.890 --> 19:43.490
typical of NASA was applied to the
shroud's image, the first

19:43.490 --> 19:46.670
three-dimensional images of the face and
body appeared.

19:53.630 --> 19:59.770
In 1978, Italy also saw the institution of
a research group studying the shroud's

19:59.770 --> 20:04.510
image led by Professor Tamborelli,
and the data processing methodology

20:04.510 --> 20:10.450
employed gave rise to a very particular
three-dimensional image, an image with

20:10.450 --> 20:15.090
detail that emphasizes that we are
effectively dealing with the face of a man

20:15.090 --> 20:16.210
that had been beaten.

20:19.650 --> 20:25.070
Some marks of torture are visible that
correspond to what we read and is said in

20:25.070 --> 20:25.650
the Gospels.

20:28.350 --> 20:31.490
Therefore, tridimensionality is another
important aspect.

20:32.750 --> 20:35.090
But this too is hidden information.

20:36.130 --> 20:40.790
As hidden information, there is that
relative to foreign bodies, to foreign

20:40.790 --> 20:43.910
objects that have been thought to be
present on the shroud's image.

20:45.030 --> 20:46.190
In particular, we can mention the face of
a man that had been beaten.

20:46.210 --> 20:49.070
We can mention, for example, the imprint
left by the coins.

20:49.770 --> 20:54.490
What you can see is a three-dimensional
elaboration of a coin on the right eyelid

20:54.490 --> 20:59.150
that has left an almost unequivocal
imprint, the presence of a question mark,

20:59.570 --> 21:02.110
and a part of the words Tiberioi Kaiseros.

21:02.790 --> 21:08.450
This, therefore, is a coin dating from 30
AD, and this would be a sort of intrinsic

21:08.450 --> 21:08.930
dating.

21:09.870 --> 21:14.570
Joining up with one of the few people in
the world to actually have examined the

21:14.570 --> 21:15.690
shroud by hand.

21:16.210 --> 21:21.190
He discovered that clue in the cloth,
the three-dimensional image.

21:21.530 --> 21:25.330
There's something missing, and that's what
was the shape of the cloth when the

21:25.330 --> 21:26.330
exposure was made.

21:26.610 --> 21:29.070
We had to provide that and complete the
data set.

21:29.430 --> 21:33.790
So with computers for the documentary,
they have now recreated how the shroud

21:33.790 --> 21:35.390
would have been draped around the body.

21:35.790 --> 21:39.750
He says their 3D imaging reveals so much
blood on the body.

21:40.050 --> 21:43.570
The amount of blood we found in the shroud
of Turin was extraordinary, beyond what I

21:43.570 --> 21:44.150
had envisioned.

21:44.290 --> 21:45.770
It's very dramatic to see.

21:45.770 --> 21:48.730
He was brutalized and murdered many times
over.

21:50.580 --> 21:54.730
The face of the man in the shroud was
scarcely visible until a startling

21:54.730 --> 21:56.950
photographic negative was produced.

21:57.770 --> 22:02.030
But there is an additional, inexplicable
property of this image which caught the

22:02.030 --> 22:05.290
attention of 3D computer graphics artist
Ray Downing.

22:06.530 --> 22:11.690
Encoded within the fibers of this cloth is
3D information which shouldn't be there.

22:14.570 --> 22:19.590
It's as if someone, using an unknown
technology, hid a blueprint for

22:19.590 --> 22:23.630
constructing a three-dimensional statue
within this two-dimensional image.

22:27.350 --> 22:31.530
Downing worked for over a year,
extracting and refining this encoded

22:31.530 --> 22:36.970
information to create that statue,
to reveal for the first time the face of

22:36.970 --> 22:37.990
the man in the shroud.

22:41.910 --> 22:47.110
This new portrait of Jesus drew worldwide
attention in the news media and was the

22:47.110 --> 22:48.950
subject of a History Channel special.

22:50.330 --> 22:54.790
Inspired by quotes from the New Testament,
Downing has gone on to illustrate a

22:54.790 --> 23:00.990
library of Jesus portraits based on the
shroud of Turin image, a face both hidden

23:00.990 --> 23:02.790
and revealed in time.

23:04.530 --> 23:07.990
Suffer, little children, and forbid them
not to come unto me.

23:09.270 --> 23:10.790
Lazarus, come forth.

23:13.930 --> 23:17.970
O my Father, if it be possible,
let this cup pass from me.

23:19.550 --> 23:23.830
If the world hates you, you know that it
hated me before it hated you.

23:25.530 --> 23:28.870
Father, into thy hands I commend my
spirit.

23:30.450 --> 23:34.830
Greater love hath no man than this,
that a man lay down his life for his

23:34.830 --> 23:35.190
friends.

23:36.450 --> 23:39.150
I am the resurrection and the life.

23:41.190 --> 23:43.450
My kingdom is not of this world.

23:53.730 --> 23:56.670
From somewhere there emerged
three-dimensional information.

23:57.630 --> 24:01.050
To these practical scientists,
it was as if they were looking at

24:01.050 --> 24:02.630
something from another planet.

24:03.410 --> 24:06.170
None of them had ever seen anything like
this before.

24:06.950 --> 24:11.130
The VP8 was the catalyst that caused the
formation of the STIRP team.

24:11.130 --> 24:14.170
They said, we should see if we can figure
out how this image was formed.

24:15.070 --> 24:18.910
Peter Schumacher was a field engineer for
the team that created the VP8,

24:19.330 --> 24:23.550
which was originally designed to analyze
images from medical resources and

24:23.550 --> 24:24.110
satellites.

24:25.030 --> 24:29.350
Nobody in our company had ever even heard
of the Shroud of Turin, let alone seen

24:29.350 --> 24:33.210
pictures or wanted to look at image
analysis of the Shroud of Turin.

24:35.150 --> 24:41.230
What the VP8 analyzer does is plot the
light and dark areas of an image onto a

24:41.230 --> 24:42.130
3-D grid.

24:43.350 --> 24:45.210
The nose has a prominence.

24:45.770 --> 24:47.390
The cheeks roll off.

24:47.930 --> 24:51.370
The hair has a shape to it and is rounded.

24:52.190 --> 24:55.490
The whole image has dimension to it.

24:55.910 --> 25:00.770
The Shroud is a very unique image,
the only one of its kind in the whole

25:00.770 --> 25:01.210
world.

25:01.610 --> 25:03.030
Nothing else like it.

25:04.310 --> 25:10.350
It's three-dimensional relief,
the front and the back of a whole human

25:10.350 --> 25:14.590
being, only one in the world, no other.

25:15.610 --> 25:18.190
There are other striking anomalies as
well.

25:18.970 --> 25:23.710
For example, it has long been known that
in addition to the explicit detail of the

25:23.710 --> 25:29.050
body image, there are also other images
that were somehow transmitted onto the

25:29.050 --> 25:32.190
fabric, specifically the image of flowers.

25:33.030 --> 25:36.050
I first noticed the image of flowers on
the Shroud in 1985.

25:37.350 --> 25:41.910
And when I found what they looked like,
then I began looking more closely and

25:41.910 --> 25:44.490
found that there were large numbers of
these.

25:45.190 --> 25:49.730
I contacted Professor Avi Noam Danin,
the world's authority on the flowers of

25:49.730 --> 25:52.790
Israel, and took some of our photographs
out there.

25:53.530 --> 25:57.790
When I handed the photograph that I'd
first spotted the flowers on to him,

25:57.790 --> 26:02.290
without indicating what we'd actually
found, he looked at it for about 15

26:02.290 --> 26:04.650
seconds and said, those are the flowers of
Jerusalem.

26:05.830 --> 26:08.650
He immediately knew that this was a unique
finding.

26:10.290 --> 26:14.950
But once it was discovered that there were
other images on the Shroud, Dr. Wanger

26:14.950 --> 26:19.690
began looking closer and found that there
were small coins on each eye.

26:20.570 --> 26:23.410
What significance could that possibly
have?

26:24.450 --> 26:29.030
Dr. Alan Wanger, in his book, The Shroud
of Turin, Adventure and Discovery,

26:29.030 --> 26:35.590
points out that not only are they there,
they present distinct and profound clues

26:35.590 --> 26:38.430
as to the date and origin of the image.

26:39.450 --> 26:47.270
Father Francis Filas was a professor of
the theology as well as a scientist who

26:47.270 --> 26:49.690
investigated the Shroud of Turin,
as well as a photographer.

26:50.310 --> 26:54.270
He was working with a group of researchers
who were attempting to identify what the

26:54.270 --> 26:57.870
projections over the eyes were,
thinking they might be coins.

26:58.750 --> 27:04.050
And Dr. Filas had enlargement and made an
excellent photograph he had of the Shroud

27:04.050 --> 27:06.930
and noticed the patterning over the right
eye.

27:07.570 --> 27:11.510
On enlargement of this, he noticed there
were letters which he interpreted as

27:11.510 --> 27:14.890
U-C-A-I and something that looked like a
shepherd's crook.

27:15.810 --> 27:22.450
This is typical of the lepton or the
widow's mite struck by Pontius Pilate in

27:22.450 --> 27:25.690
the years 29 AD to 33.

27:26.390 --> 27:32.290
We can identify the images of them and so
we can identify the particular coin and

27:32.290 --> 27:37.590
know the origin as well as the date which
both of them that we identify were struck

27:37.590 --> 27:38.490
in 29 AD.

27:38.830 --> 27:42.370
So this dates the Shroud back to the first
century.

27:42.710 --> 27:47.190
It also localizes it to Israel since these
coins are just the widow's mites or the

27:47.190 --> 27:50.810
common penny of the time and certainly
would not circulate either outside of

27:50.810 --> 27:55.010
Israel or not very long after the reign of
Tiberius Caesar to which they were

27:55.010 --> 27:55.490
dedicated.

27:56.250 --> 27:59.650
But how could an image containing so much
information have been formed?

28:00.250 --> 28:03.990
There are those who believe the image
could only have been formed by a burst of

28:03.990 --> 28:05.170
some sort of radiation.

28:05.810 --> 28:10.890
But the simple fact is nothing like the
Shroud image has ever been found or

28:10.890 --> 28:11.710
reproduced.

28:12.170 --> 28:15.830
But that's only the beginning of the
astounding information to be gleaned from

28:15.830 --> 28:16.910
this amazing image.

28:17.290 --> 28:20.930
Because it's got three-dimensional
properties and x-ray properties,

28:21.710 --> 28:25.530
the three-dimensional properties in
particular cannot be reproduced by anybody

28:25.530 --> 28:26.070
today.

28:26.370 --> 28:29.390
Nobody on planet Earth can put
three-dimensional properties into a

28:29.390 --> 28:30.310
two-dimensional cloth.

28:30.830 --> 28:33.350
The Shroud of Turin is unique on planet
Earth.

28:33.710 --> 28:38.490
We believe that the Shroud of Turin proves
the resurrection of Jesus Christ and that

28:38.490 --> 28:43.110
the image on the Shroud was caused by a
burst of radiation given off at the

28:43.110 --> 28:44.930
resurrection of Jesus Christ.

28:45.130 --> 28:47.150
Right, we're going to start with image 46.

28:47.150 --> 28:51.350
Those of you who've been to the Garden
Tomb in Jerusalem, which I believe is the

28:51.350 --> 28:56.170
tomb in which Jesus was actually buried,
will have seen inside the Garden Tomb the

28:56.170 --> 29:01.150
limestone tomb, image number 46,
please, in which Jesus was buried.

29:01.350 --> 29:09.890
Now, the actual limestone of that tomb is
a particular type of stone which is only

29:09.890 --> 29:16.050
found in ancient tombs in Jerusalem and
nowhere else known on planet Earth.

29:16.580 --> 29:19.470
It's actually called shragotine aragonite.

29:20.790 --> 29:28.110
Now, two scientists called Joseph Kolbeck
and Richard Levy-Setti, American

29:28.110 --> 29:34.070
scientists, they found that there were
traces of this particular very rare

29:34.070 --> 29:36.470
limestone on the Shroud.

29:36.550 --> 29:40.710
They found some of these on the nose of
the Shroud, the left kneecap and both

29:40.710 --> 29:41.050
heels.

29:41.630 --> 29:47.310
And they say that the Shroud of Turin was
definitely in Jerusalem because they don't

29:47.310 --> 29:50.970
know anywhere else on planet Earth where
shragotine aragonite is found.

29:51.470 --> 29:57.010
What you're looking at now is actually Dr.
Max Fry, who's a pollen specialist,

29:57.630 --> 30:04.490
a member of the STIRP team, Dr. Max Fry,
and he's actually a botanist and he found

30:04.490 --> 30:08.230
lots and lots of pollen and spores on the
Shroud.

30:08.230 --> 30:13.570
And he found that it had lots and lots of
different spores and pollen of plants

30:13.570 --> 30:15.930
found only in Jerusalem.

30:16.530 --> 30:22.670
And that's Dr. Avinoam Danin, a botany
professor at the Hebrew University in

30:22.670 --> 30:23.150
Jerusalem.

30:23.610 --> 30:31.350
He found Zygophilum dumosum, the spores of
that plant, and he found the spores of a

30:31.350 --> 30:34.650
next plant, Guandelia 2040.

30:35.870 --> 30:42.590
And he said that the Shroud definitely
came from Jerusalem.

30:42.930 --> 30:47.090
Further evidence of the Shroud is
Sudarium, which was the linen cloth over

30:47.090 --> 30:48.230
the face of Jesus.

30:48.930 --> 30:54.130
Now that Shroud, the Sudarium of Oviedo
over the face of Jesus, is actually in a

30:54.130 --> 30:58.050
wooden or oak chest in Oviedo in Spain.

30:59.030 --> 31:04.130
And again, Dr. Alan Wang has studied that
and found that the blood type is type AB,

31:04.130 --> 31:09.590
which on both the Shroud of Turin and the
Shroud of Oviedo, and the blood marks

31:09.590 --> 31:10.910
exactly match.

31:11.270 --> 31:16.710
The blood marks on the Sudarium of Oviedo
exactly match the Shroud of Turin,

31:16.790 --> 31:19.550
which means they were both placed over the
same corpse.

31:20.550 --> 31:22.530
That is very, very significant.

31:23.950 --> 31:25.950
All right, let's read from Scripture.

31:26.290 --> 31:27.370
Matthew 2018.

31:27.610 --> 31:31.650
Behold, we go up to Jerusalem,
and the Son of Man shall be betrayed under

31:31.650 --> 31:35.570
the chief priests, and they shall put him
to death, and shall deliver him to the

31:35.570 --> 31:40.590
Gentiles, to mock and to scourge and to
crucify him, and on the third day he shall

31:40.590 --> 31:41.250
rise again.

31:41.550 --> 31:45.770
All right, now let's compare to what's
written in Scripture, to the forensic

31:45.770 --> 31:48.770
evidence on the Shroud of Turin,
and see if it matches up.

31:49.410 --> 31:55.150
No less than seven forensic pathologists
confirm without doubt that a genuine

31:55.150 --> 31:57.310
person made contact with the Shroud.

31:57.610 --> 31:58.410
He was dead.

31:58.730 --> 32:00.430
He was mocked with a crown of thorns.

32:00.430 --> 32:02.630
He was scourged, and he was crucified.

32:03.210 --> 32:07.610
And there's no evidence of decomposition
on the Shroud, meaning that the body that

32:07.610 --> 32:10.990
was in there was not there very long,
less than three days.

32:11.510 --> 32:15.650
We know for a forensic fact a man in the
Shroud was dead.

32:16.110 --> 32:19.310
The knees are in a locked position from
rigor mortis.

32:19.430 --> 32:22.030
Who buries someone with their knees
raised?

32:22.430 --> 32:26.950
Unless the body was in rigor mortis,
and you were in a hurry to get the body in

32:26.950 --> 32:31.410
the tomb, just like the historical record
in the burial of Jesus, there's a

32:31.410 --> 32:33.230
post-mortem side wound.

32:33.630 --> 32:34.650
That's a no-brainer.

32:34.970 --> 32:36.470
That means the person is dead.

32:36.890 --> 32:39.050
First stage of rigor mortis is what?

32:39.270 --> 32:42.850
The eyelids, the neck, and the jaw stiffen
up.

32:43.050 --> 32:46.610
You can see on the man in the Shroud,
his jaw is stiff.

32:46.850 --> 32:47.870
It's locked up.

32:48.050 --> 32:49.890
I mean, you can see visible teeth.

32:50.190 --> 32:53.750
And the final clue, the slightly swelled
stomach.

32:54.390 --> 32:58.130
That doesn't happen until 48 hours after
death.

32:58.950 --> 33:04.450
So the man in the Shroud has been dead for
48 to 72 hours, and then his body was

33:04.450 --> 33:06.590
risen during the image process.

33:06.850 --> 33:09.830
So this matches the whole passage right
from the beginning.

33:10.250 --> 33:14.330
The man in the Shroud, he's mocked,
he's scourged, he's crucified,

33:14.550 --> 33:17.970
he died, and on the third day he rose.

33:18.270 --> 33:19.270
He was risen.

33:19.270 --> 33:23.770
That is what the forensic evidence says
happened.

33:24.130 --> 33:29.890
In order to have distance information on
the Shroud, to have colored versus

33:29.890 --> 33:35.470
uncolored fibers, which represents the
distance the body was to the cloth at the

33:35.470 --> 33:37.870
time the image was formed, that means
what?

33:38.230 --> 33:41.330
That means the body had to be raised off
the ground.

33:41.670 --> 33:46.370
There had to be a separation between the
cloth and the body, and that means risen.

33:47.070 --> 33:51.250
The man in the Shroud was risen after
three days.

33:51.970 --> 33:57.970
Bear in mind, the bloodstains are first,
and the image is over the bloodstains.

33:58.250 --> 34:00.430
They are two separate events.

34:00.810 --> 34:07.790
And the forensic evidence tells us that
this image process took place 48 to 72

34:07.790 --> 34:10.450
hours after the blood made contact with
the cloth.

34:10.950 --> 34:13.950
Those are the forensic facts of the case
file.

34:14.170 --> 34:15.670
They are indisputable.

34:15.670 --> 34:20.930
Anyone in disagreement is in disagreement
with no less than seven forensic

34:20.930 --> 34:23.890
pathologists and blood chemistry experts.

34:24.550 --> 34:29.750
We know for a forensic fact, wrapping a
dead body in linen will not leave an image

34:29.750 --> 34:30.750
behind on the cloth.

34:31.070 --> 34:35.710
We have over a thousand burial cloths from
antiquity that had bodies in them.

34:35.890 --> 34:39.550
Not a single one has an image on it,
except this one.

34:40.390 --> 34:44.710
And that's because this body and this
linen was resurrected.

34:45.230 --> 34:52.150
What this really is, is a two plus blank
equals four type challenge.

34:52.490 --> 34:54.730
And only one answer fits.

34:55.590 --> 34:59.310
The only person this can be is Jesus
Christ.

34:59.930 --> 35:05.170
He's the only person in history we know of
that was mocked, scourged, crucified,

35:05.550 --> 35:10.450
died, placed in an expensive linen,
and told people previously he was going to

35:10.450 --> 35:11.610
be risen on the third day.

35:11.610 --> 35:16.370
And that is exactly what the forensic
evidence says happened in this case.

35:17.070 --> 35:21.470
Jesus himself said, this evil generation
keeps asking me to show them a miraculous

35:21.470 --> 35:24.970
sign, but the only sign I will give to
them is the sign of Jonah.

35:25.450 --> 35:29.070
Now look at the right side of the man of
the shroud on his forehead.

35:29.310 --> 35:30.030
What is that?

35:30.290 --> 35:32.010
That's the sign of Jonah.

35:32.630 --> 35:37.290
It's also on the heel, on his heel,
on the back of the head, and on the

35:37.290 --> 35:39.390
Suderian Oviedo, four different times.

35:39.390 --> 35:45.730
I've never seen in any crime photo in the
history of my life, or any morgue photo,

35:46.410 --> 35:50.550
blood take on the shape of number three,
and be on the side of a head, or on

35:50.550 --> 35:55.010
clothing, or on tools, or weapons,
or a blood splatter on walls, or whatever

35:55.010 --> 35:55.370
it is.

35:55.430 --> 35:56.630
I've never seen it.

35:56.970 --> 35:58.590
I do not believe it is a coincidence.

35:59.430 --> 36:03.770
Ladies and gentlemen, we are looking at
the sign of Jonah on the shroud of Turin.

36:05.470 --> 36:11.730
Beyond any reasonable doubt, beyond any
doubt, the man in the shroud is Jesus.

36:18.580 --> 36:22.740
The shroud has properties of a
photonegative, an x-ray photo,

36:22.900 --> 36:23.940
and a hologram.

36:24.280 --> 36:28.880
Both a transmission hologram and a
reflection hologram, but yet is neither.

36:29.600 --> 36:33.620
It is not a hologram, it is not an x-ray
photo, it is not a photonegative,

36:33.760 --> 36:35.860
it is a combination of those three things.

36:35.860 --> 36:37.620
So the shroud image is what?

36:38.040 --> 36:41.060
A photographic x-ray holographic image.

36:41.600 --> 36:47.720
That said, how many other dead bodies have
left a photographic x-ray holographic

36:47.720 --> 36:52.300
image behind on a burial cloth or linen as
a result of making contact with it?

36:52.820 --> 36:53.260
None.

36:53.520 --> 36:57.360
So this argument, well, that could have
been any person in that cloth.

36:57.640 --> 37:00.080
The Romans scourged and crucified a lot of
people.

37:00.620 --> 37:02.600
That argument doesn't fly at all.

37:02.600 --> 37:06.560
We could take one million different dead
bodies right now, all scourged,

37:06.780 --> 37:10.840
crucified in the exact manner of the man
in the shroud, pour myrrh and aloes over

37:10.840 --> 37:14.860
the bodies, wrap them in every kind of
fabric ever known to mankind, and we will

37:14.860 --> 37:17.580
never get an image like we see on the
shroud of Turin.

37:17.720 --> 37:21.120
So we have established a very important
forensic fact.

37:21.440 --> 37:22.340
What is that fact?

37:22.900 --> 37:27.760
Putting a dead body, wrapping it in linen,
will not leave an image like the shroud

37:27.760 --> 37:28.180
behind.

37:28.180 --> 37:32.960
The only image that you would have would
be the bloodstains as a result of

37:32.960 --> 37:34.380
body-to-cloth contact.

37:34.660 --> 37:39.940
There's not going to be a thin superficial
image over those bloodstains, to say the

37:39.940 --> 37:40.200
least.

37:40.700 --> 37:47.060
There is only one thing that we know of on
this earth that matches all these four

37:47.060 --> 37:48.540
unique characteristics.

37:48.880 --> 37:49.640
What is that?

37:50.860 --> 37:53.340
UVB rays in the UV spectrum.

37:54.060 --> 37:59.500
At a very specific speed matches all of
these characteristics, and that is not a

37:59.500 --> 37:59.920
coincidence.

38:00.740 --> 38:08.440
UV light in the UVB range will cause rapid
aging in skin, dehydration, oxidation,

38:09.100 --> 38:14.100
meaning a chemical reaction takes place
and causes your skin to turn a sepia

38:14.100 --> 38:19.980
color, a tan, and it only affects the
superficial layers of your skin.

38:19.980 --> 38:24.220
Note there is a difference between
sunlight and laser light.

38:24.720 --> 38:30.180
The UV light source making contact with
the shroud is traveling at the same speed

38:30.180 --> 38:34.260
as UV light from the sun, but it is a
different type of light.

38:34.780 --> 38:39.660
It is light of a single wavelength,
which is a fancy way of saying laser

38:39.660 --> 38:44.620
light, versus sunlight, which is light
photons spread out in all directions.

38:45.140 --> 38:47.260
And in fact, it would color all the
fibers.

38:47.260 --> 38:50.960
It wouldn't leave some fibers colored and
others uncolored.

38:51.500 --> 38:55.780
So light from the sun is not responsible
for the shroud image.

38:56.100 --> 39:01.400
Immediately eliminate sunlight and camera
obscura as being capable of producing an

39:01.400 --> 39:02.300
image like the shroud.

39:02.700 --> 39:05.940
There are 200 fibrils in one fiber of
linen.

39:06.180 --> 39:10.820
Only one of them has been colored,
leaving the other 199 completely

39:10.820 --> 39:11.640
untouched.

39:12.560 --> 39:19.020
That is because those linen fibers were
exposed to UV light, laser-like light of a

39:19.020 --> 39:21.240
single wavelength made contact with the
fiber.

39:21.560 --> 39:27.060
It also caused it to become dehydrated,
and a chemical reaction took place causing

39:27.060 --> 39:28.380
it to turn a sapient color.

39:28.700 --> 39:33.680
And because it's UV light of a very
specific speed in the UVB range,

39:33.840 --> 39:37.500
it only affected the superficial layers of
the fabric.

39:37.500 --> 39:41.720
I just described how the shroud turned
linen fibrils were colored.

39:42.080 --> 39:47.880
Congratulations, you just learned in part,
notice I said in part, how the image on

39:47.880 --> 39:48.820
the shroud was formed.

39:49.540 --> 39:52.100
All right, let's go a little bit deeper.

39:52.520 --> 39:58.400
Is there anything in the human body that
emits laser-like light in the UV range?

39:58.660 --> 40:01.140
And the answer is, yes, there is.

40:01.440 --> 40:06.840
Human DNA emits photons of light in each
second that passes.

40:06.840 --> 40:12.540
It's laser-like light, and it is also what
it is in the UV range.

40:13.060 --> 40:20.380
In each second that passes, we emit
approximately 100,000 up to 1 million

40:20.380 --> 40:23.980
photons of light in every second that
passes.

40:24.140 --> 40:27.240
We just quoted you a scientific fact that
has been observed.

40:27.640 --> 40:28.860
That is not wild theory.

40:28.960 --> 40:29.940
That is not speculation.

40:30.480 --> 40:34.320
So we know it's possible that DNA can emit
light.

40:34.320 --> 40:36.760
We believe the process is amplified.

40:37.280 --> 40:44.120
Now imagine that process amplified,
as if you brought a multi-wave oscillator

40:44.120 --> 40:45.200
up to your body.

40:45.840 --> 40:49.800
A multi-wave oscillator emits moving
electrical signals.

40:49.960 --> 40:53.520
It will cause your living cells to
increase in AC voltage.

40:53.820 --> 40:58.260
And whatever that machine is set at,
let's say it's 2 billion cycles per

40:58.260 --> 41:03.980
second, your cells will also oscillate at
2 billion cycles per second.

41:03.980 --> 41:06.460
It will match whatever the machine is set
at.

41:06.700 --> 41:10.780
In a comparison analogy, if you had a
tuning fork that was dead, and you brought

41:10.780 --> 41:15.340
another tuning fork up to that one that
was vibrating at, say, 2 billion cycles

41:15.340 --> 41:20.200
per second, the other tuning fork that was
dead will come back to life again,

41:20.420 --> 41:25.440
slash, begin vibrating at the same speed
the other tuning fork is vibrating at.

41:25.460 --> 41:27.160
So it will match its speed.

41:27.320 --> 41:30.540
So what we have going on in the shroud
image is what?

41:30.860 --> 41:33.080
The field action of resonance.

41:33.660 --> 41:38.920
The field action of resonance is not
unlike bringing life to something that was

41:38.920 --> 41:39.320
dead.

41:39.680 --> 41:42.300
Something that was unmoving now becomes
moving.

41:42.600 --> 41:45.740
Something not oscillating now is
oscillating.

41:46.040 --> 41:50.220
In the same way, a moving electrical
signal was brought up close to the body of

41:50.220 --> 41:55.020
Jesus and caused his unmoving cells to
start moving, slash, oscillating.

41:55.320 --> 41:59.340
This caused light to emit from the DNA,
which made contact with the shroud fabric.

41:59.340 --> 42:04.640
So a moving electrical signal,
a source of light radiation, oscillating

42:04.640 --> 42:10.840
in the UVB range, came right up close to
the body of Jesus and caused his DNA to

42:10.840 --> 42:13.060
oscillate at the same frequency.

42:13.600 --> 42:17.820
And this particular frequency causes the
DNA to emit light.

42:18.220 --> 42:21.500
And that light made contact with the
shroud of Turin.

42:22.100 --> 42:26.720
And where the cloth was close to the body,
more fibers were colored.

42:26.720 --> 42:31.120
And as there was greater separation,
less of the linen fibers were colored.

42:31.400 --> 42:35.800
In a manner which represented the exact
distance the body was to the cloth.

42:36.100 --> 42:38.280
And quickly see as light as being dark.

42:38.560 --> 42:41.620
So the image has all the properties of a
photo negative.

42:42.120 --> 42:44.240
Also has properties of an x-ray photo.

42:44.640 --> 42:46.480
Also has properties of a hologram.

42:46.760 --> 42:50.820
Both a transmission hologram and a
reflection hologram, yet is neither.

42:51.140 --> 42:52.620
So again, what is the shroud?

42:52.900 --> 42:56.280
It's a photographic x-ray holographic
image.

42:56.720 --> 42:58.780
Beyond any reasonable doubt.

42:59.940 --> 43:05.140
Beyond any doubt, a higher power
intelligence slash god is involved in the

43:05.140 --> 43:05.940
image process.

43:07.140 --> 43:10.480
This creator really went all out doing
this image.

43:10.880 --> 43:13.360
Photographic x-ray holographic image.

43:14.120 --> 43:15.280
He loved this man.

43:15.560 --> 43:17.100
He loved this man deeply.

43:17.300 --> 43:18.600
He loved this man deeply.

43:32.350 --> 43:35.070
I just want to go over some final points
of the shroud.

43:35.190 --> 43:37.210
Some unusual aspects of the shroud image.

43:37.210 --> 43:38.430
The crown of thorns.

43:38.610 --> 43:40.190
Only Jesus was mocked as a king.

43:40.430 --> 43:42.070
And what do we see on the shroud of Turin?

43:42.450 --> 43:47.450
30 puncture wounds around the head from a
thistle plant that only grows in

43:47.450 --> 43:48.090
Jerusalem.

43:48.390 --> 43:49.670
He's scourged and crucified.

43:49.970 --> 43:50.870
That's a contradiction.

43:51.310 --> 43:54.730
If the Romans scourged people like they
did in the man of the shroud.

43:54.930 --> 43:56.070
That was routine procedure.

43:56.450 --> 43:58.770
They would have been nailing dead corpses
to crosses.

43:59.430 --> 44:01.590
This is the most hated person in the city.

44:01.670 --> 44:02.750
And he's wrapped in fine linen.

44:02.750 --> 44:08.330
A body crucified and scourged to this
degree would be thrown into a landfill.

44:08.710 --> 44:10.010
As in human garbage.

44:10.370 --> 44:11.490
Not treated like a king.

44:11.850 --> 44:13.970
So this person has rich friends.

44:14.570 --> 44:16.270
And that follows the gospel account.

44:16.490 --> 44:20.170
And there came also Nicodemus who first
came to Jesus by night.

44:20.310 --> 44:23.610
And brought a mixture of myrrh and aloes
about a 100 pound weight.

44:23.950 --> 44:25.770
That would be extremely expensive.

44:26.170 --> 44:29.010
It would never be used on an ordinary
criminal.

44:29.330 --> 44:32.110
There's evidence of myrrh and aloes on the
head cloth in Spain.

44:32.110 --> 44:36.490
Myrrh and aloes found in the blood by
antibody antigen testing by a forensic

44:36.490 --> 44:37.190
pathologist.

44:37.530 --> 44:39.650
See all these are all clues that say the
same thing.

44:39.930 --> 44:40.770
This man is Jesus.

44:41.130 --> 44:42.870
He's loved and he's hated.

44:43.270 --> 44:43.870
And he has what?

44:43.990 --> 44:44.990
He has rich friends.

44:45.330 --> 44:47.650
Like Joseph of Arimathea and Nicodemus.

44:47.990 --> 44:50.970
On the cloth is a first century style
stitching pattern.

44:51.230 --> 44:53.870
That gives us a clue as to the age of the
cloth.

44:54.350 --> 44:55.850
The shroud is 8 by 2 cubits.

44:55.930 --> 44:57.250
An ancient measuring system.

44:57.530 --> 45:01.190
The image goes against how people would
perceive that God would do things.

45:01.190 --> 45:04.610
When one thinks of the almighty powerful
God.

45:04.770 --> 45:08.550
Creators of the heavens and the earth
making an image we think of power.

45:08.830 --> 45:12.650
This would be a powerful imprint as in
firm contact with the linen.

45:13.050 --> 45:16.150
Yet the shroud is the exact opposite of
what one would expect.

45:16.570 --> 45:18.850
Look at the two black eyes.

45:18.990 --> 45:22.710
When you look at the shroud image when
it's photographed you can see detail.

45:23.090 --> 45:24.950
You can see that his eyes are closed.

45:25.370 --> 45:26.810
You can see the swelling more.

45:27.170 --> 45:29.690
And the same thing holds true with an
x-ray photograph.

45:30.250 --> 45:33.310
An x-ray photograph on the film plate is
black.

45:33.590 --> 45:35.750
It shows the bones as being black.

45:36.170 --> 45:40.490
And then the colors are inverted so the
physician or doctor can see more detail.

45:40.890 --> 45:43.070
The shroud of turn image is just like
that.

45:43.450 --> 45:46.350
When the colors are inverted you can see
the detail.

45:46.610 --> 45:48.650
You can really see the swelling.

45:48.850 --> 45:49.770
You can see the teeth.

45:50.050 --> 45:51.530
You can see that the eyes are closed.

45:51.650 --> 45:55.510
But when you look at the image on cloth it
looks like the eyes are open.

45:55.510 --> 46:01.730
As a result you see in all the early
frescoes Jesus has his eyes open.

46:02.090 --> 46:06.190
And they're portrayed as big owl-like eyes
because that's what it looks like.

46:06.750 --> 46:12.110
So we haven't even really seen the shroud
of turn correctly until the last 118

46:12.110 --> 46:12.730
years.

46:12.850 --> 46:17.250
Look at the vertical lines going down the
sides of the face.

46:17.390 --> 46:20.290
That really looks out of place as in what
is that?

46:20.290 --> 46:25.830
That's because the light source that's
emitted from the body is coming out in a

46:25.830 --> 46:26.530
straight line.

46:27.330 --> 46:28.890
It follows the pattern of the swelling.

46:29.310 --> 46:33.890
But where the swelling drops off and the
face drops down that's where the image

46:33.890 --> 46:34.810
process stops.

46:34.990 --> 46:35.630
Because why?

46:35.750 --> 46:39.590
As we discussed in the first video,
too much separation between the body and

46:39.590 --> 46:40.290
the cloth there.

46:41.250 --> 46:42.070
No image.

46:42.170 --> 46:45.650
We really see that clearly in the face
along the sides of the cheek.

46:45.930 --> 46:50.130
And then we see the blood stain off to the
left which appears to be in the hair which

46:50.130 --> 46:54.750
is actually a blood stain from around the
area of the ear on the side of the cheek.

46:55.310 --> 46:59.250
So the blood stains are out of stereo
register with the body but it proves this

46:59.250 --> 47:00.130
beyond any doubt.

47:00.750 --> 47:02.050
The blood stains are first.

47:02.330 --> 47:04.770
The image process is a secondary event.

47:04.990 --> 47:08.110
Two completely separate events not done at
the same time.

47:08.910 --> 47:13.630
And the forensic evidence tells us beyond
any doubt that this image process happened

47:13.630 --> 47:17.530
48 to 72 hours after the blood made
contact with the cloth.

47:17.530 --> 47:20.190
And that fits exactly with the gospel
account.

47:20.990 --> 47:22.410
This can only be one person.

47:22.730 --> 47:24.890
So the forensic science tells us what?

47:25.050 --> 47:27.070
The man in the shroud is Jesus.

47:27.410 --> 47:31.330
Not just beyond a reasonable doubt,
beyond any doubt.

47:51.230 --> 47:56.030
image downing worked for over a year
extracting and refining this encoded

47:56.030 --> 48:01.570
information to create that statue to
reveal for the first time the face of the

48:01.570 --> 48:02.490
man in the shroud

48:06.450 --> 48:11.590
this new portrait of jesus drew worldwide
attention in the news media and was the

48:11.590 --> 48:13.590
subject of a history channel special