WEBVTT 00:00.000 --> 00:02.140 To look the people in the mouth. 00:02.700 --> 00:05.460 That was Luther's motto in the Bible translation. 00:06.100 --> 00:10.480 But the people also looked the people in the mouth, literally speaking, 00:10.480 --> 00:10.480 to the reformer. 00:11.420 --> 00:14.980 And so, in the time of the Reformation, many folk songs were translated into 00:14.980 --> 00:20.180 sports songs for the pope, but also some flyers were censored. 00:20.620 --> 00:25.260 Today, many of these pieces belong to the cultural treasures of the Zwickauer 00:25.260 --> 00:27.680 Ratsschulbibliothek. 00:27.680 --> 00:31.680 At the traditional New Year's concerts in the Zwickauer Robert Schumann Haus, 00:32.140 --> 00:34.220 it is by no means always just about Schumann. 00:34.640 --> 00:38.360 In this year, songs from the time of the Reformation were the subject of the 1st of 00:38.360 --> 00:38.660 January. 00:39.080 --> 00:41.940 This one had a faster pace in Zwickau than anywhere else. 00:42.500 --> 00:47.220 And so it is logical that the Zwickauer Ratsschulbibliothek has a large number of 00:47.220 --> 00:49.480 printings that were directed against the church of the pope. 00:51.060 --> 00:52.820 Some of these were already provided with notes. 00:52.820 --> 00:57.440 For many others, the director of the Robert Schumann Haus, Dr. Thomas 00:57.440 --> 01:02.480 Szynowczyk, had to find out the material first and put it together accordingly. 01:04.020 --> 01:10.800 With him on stage were Dominik Schneider, the Essen flute virtuoso, and Andreas 01:10.800 --> 01:11.820 Fischer, the tenor of Leipzig. 01:38.960 --> 01:57.160 Andreas Fischer, the tenor of Leipzig. 02:09.620 --> 02:11.340 The Hure of Babylon. 02:11.760 --> 02:16.460 The interplay of the peoples and religions of pre-Christian Babylon, in which the 02:16.460 --> 02:21.200 Jewish writers in exile first brought the Old Testament, the Torah, to paper, 02:21.200 --> 02:27.300 was also the symbol of exile and insolence for the Reformatory Christians. 03:11.780 --> 03:15.640 The instrumentarium of that time was also quite extensive. 03:16.400 --> 03:20.040 This is how Dominik Schneider played a string instrument on the Quintera. 03:32.120 --> 03:35.700 Thomas Szynowczyk, the tenor of Leipzig, used the numerous keyboard instruments 03:35.700 --> 03:40.500 such as organ, cimbalo, shelf, portable and harp. 03:59.680 --> 04:02.560 No, there were no football fans in the Middle Ages. 04:02.700 --> 04:06.000 But the theme song of the evening, Nun treiben wir den Babst heraus, 04:06.340 --> 04:11.020 is the enclosure of a children's song from the Fastnachtszeit, in which, instead of 04:11.020 --> 04:13.860 winter, the Roman church prince is now driven away. 04:39.600 --> 04:44.720 The little boy is driven away. 04:45.580 --> 04:49.600 The right God is next to him. 04:52.540 --> 05:00.940 That is God's will, the prince and priest, even though his heart is broken. 05:06.520 --> 05:08.940 It was the first one at that time. 05:08.940 --> 05:10.900 Today it would be called a media battle. 05:11.340 --> 05:15.840 Not only on the artistic level, but especially with Derbenhohn and Spott, 05:16.120 --> 05:17.640 the opponents started to fight each other. 05:18.140 --> 05:20.140 100 years later also with weapons. 05:20.800 --> 05:25.980 In the end, the reformation took place in many German countries and today these 05:25.980 --> 05:28.640 songs and pieces of music are part of the cultural heritage of Germany.