Hello, and welcome to video number 39A in this two-part series on the Jesuit Vatican
Shadow Empire that rules the world today from the shadows.
The Luciferian mindset produces corrupt, satanic art, and this is why artists who wish to achieve
fame must submit to the Luciferian cultural agenda for success.
The Jesuit Vatican Masonic Business Empire controls the art world, just as it controls
all other spheres of human endeavor.
An important Jesuit maxim enshrined in their bloody fourth oath of induction states,
the end justifies the means.
What do the Jesuits mean by this?
And you've probably heard this statement, the end justifies the means.
Well, the Jesuits mean this, in plain language, let us do evil that good may come.
What they consider to be good, of course their good is evil.
This is a central tenet of Gnosticism.
The Jesuits have permission to do whatever it takes to complete their orders, including murder.
This is actual validation of Romans chapter 3 and verse 8, where the Apostle Paul writes,
Why not say, as some slanderously claim that we say, let us do evil that good may result.
Their condemnation is deserved.
So, this is what the Jesuits are putting into practice in everything they do.
It doesn't matter how you do it, what they do,
Everything is permissible in their mission to bring total power to the Roman Catholic Empire
and the Pope as the Antichrist and ruler of the world.
Everything is permissible.
War, murder, everything they need to do,
including mass deception,
is permissible in order to bring about their final world empire.
The Apostle Paul is refuting and condemning the false accusations that first century Luciferians were charging him with
long before the Jesuit military order even existed.
This strategy of inversion is key to the success of the Jesuit Vatican Roman Catholic Empire
and its conquest of mankind.
So it is clear that this evil thinking has been around for a long time
and comes from antiquity, from Babel, the source of Luciferian religion.
Inversion of all things good is in fact what the Jesuits do.
Behind a mask of religious piety and benevolence,
they invert everything, performing acts of sedition,
sophistry and violence, mostly through their Masonic proxies,
in order to covertly increase their control over the world.
They have been subverting governments and practicing social engineering
on nations for 500 years.
Now remember, this has all been done incrementally, slowly,
piece by piece, across the world, subverting nations
through politics, education, culture.
And they have been doing this for a long time,
so they know the strategy, they know how it works.
And deception, deception is what they use.
They hide in the shadows, using front men to do the dirty work for them.
Now in the past the Jesuits would do it themselves,
but now they hide themselves behind proxies.
And this is why people do not pick up on what is happening in the world today,
who is starting the wars, and who is behind it all.
They can't see it, because of this multiple layers that the Jesuits are hiding behind.
The world of art and culture is a huge part of the Jesuits' propaganda program,
aimed at subverting the thinking and morality of mankind.
The Jesuits view art as magic, as being one and the same thing,
having the power to transform participants' minds through the manipulation of image and text.
The Jesuits view art making as spell casting.
Please note here, in this video,
the terms Roman Catholic and Catholicism are used synonymously
with Luciferian Satanic Pagan religion.
Roman Catholicism, contrary to claims,
has nothing to do with Biblical Christianity in any way.
It is Babylonian Pagan religion masquerading as Christianity.
The Roman Catholic cult is a Luciferian deception against humanity spanning 1,700 years.
It has been some time since I spoke about art,
as I have been engaged writing in other areas.
Once again, having surveyed art world activities,
I felt the urgent need to address the situation that art finds itself in at this late stage,
and the reason for it.
We are witnessing the death throes of life-affirming culture.
I am referring to the mainstream, not the periphery
where many artists labor without critical acclaim or recognition.
What is recognized and received into the mainstream
is art made to fit the aims of the Luciferian agenda for culture.
This worldwide Satanic enterprise dominates culture
simply because it is acclaimed by experts
and promoted as legitimate by that very same enterprise.
Few argue against its legitimacy.
In the 20th century we see the elevation of Luciferian art.
It is promoted as being progressive.
It is promoted as being produced by geniuses.
Every step of the way through the 20th century
we see the downward spiral of art
and the insertion of Luciferian ideals in the art
that is widely recognized and highly promoted
by the experts.
Few people argue against the experts.
Once this has been written into the books,
once it has been filmed and videoed
and once it has been put into the education system
very very few people will argue against it
or will question it.
And it is now accepted, modern art is now accepted
as being totally legitimate and created by these geniuses.
If we were to study each artist we would see that
they didn't come out of nowhere
that their background is significant
in how and why they produced the art that they did.
There is no time here to go into all these histories
but you can check it out yourself.
I will name a few key artists
that have been instrumental
by the Jesuits and their Masonic system
in promoting Luciferian art.
So anyone who denies this present system
is strictly regulated and controlled
is simply in denial and refusing to face the facts.
There is no serendipity, none
in the art system regarding manufacture,
exhibition, sale, collection, promotion and resale.
The art promoted and seen today,
contrary to opposing arguments
is chosen specifically because it is Luciferian in nature.
And embodies its mandates aesthetically
and conceptually.
It must validate the program.
I am talking here specifically about modern art
produced just prior to and after World War II.
Humanism, which is simply the deification of man,
has been the instrument by which Luciferians
have polluted culture
and inverted it from being God-centered
to Satan-centered.
Although humanist ideals re-entered Europe
through the re-introduction of the Greek classics
of Homer, Socrates, Plato and Aristotle
in the 14th century Renaissance,
which was the rebirth of Greek ideals,
core concepts had already been incorporated
into corrupt and blasphemous Roman Catholic doctrine
through Augustine's writings
as early as the 4th and 5th centuries AD.
A second wave of Enlightenment humanist philosophy
began to infiltrate the Protestant Reformation
in Europe in the 17th century,
much, much later.
That was the diabolical purpose behind it,
to subvert purity, beauty, order and truth
in Christian culture
and insert humanist, man-centered, philosophical ideals.
It's really important to understand this,
because otherwise, again, it doesn't make sense
when you look at the whole thing.
It just doesn't add up.
It just seems like all these artists and art
is coming out of nowhere.
Humanism was and is promoted by the Jesuits
to obfuscate and corrupt Biblical truths.
Naturally, left to run its course,
we now see the end result, centuries later,
in every area of human endeavor,
especially in the arts,
where it serves as propaganda for that agenda.
Art has been steadily emptied of any godly virtues
and run into the ground
through the application of Luciferian isms,
debasing it and making it banal and vacuous.
To add insult to injury,
the artists who create this Luciferian art
are rewarded with promotion to the canon
and after death are made into legends, stars,
or should I say, art stars,
in the same way the Jesuits create music stars,
movie stars, and TV stars.
So this is the Luciferian deification
and worship of men as gods,
with god-like creative powers,
as it is idolatry and as such
is an abomination to God.
Why is this being done?
Idols are being created for people to revere
and worship in the place of God.
Yes, men and women are being promoted
to the pantheon of legends,
as culture gods.
This is how the Jesuits are deceiving mankind
into idolatry at every turn
and away from the one true God, Jesus Christ.
How did things get this way?
A cursory examination of European history
reveals a number of things happening synonymously
in the social, political, cultural,
and spiritual arenas.
They cannot be separated, but occur together
and are inextricably linked.
Nothing happens in a vacuum in this world,
but as a result of the cause-and-effect mechanism.
Failure to understand this will result
in a misreading of world history,
leading up to our current dire situation.
And yes, we are
in a very dire situation,
and yet very few people recognize it.
The big problem today is a useless trope
called postmodernism, which has trained people
to believe in history as being essentially unknowable
and relative only to today's events.
This is a dangerous situation,
and plays right into the hands of the Jesuits
who don't want people to know what happened
in the past, and why or how it occurred.
To know is then to understand
the all-encompassing agenda for world dominance
by the cause,
which is the Jesuit military order.
The Jesuits do everything in their power to disengage
the cause from the effects in world history
through the manipulation and control
of information.
Let's begin with France, which was dechristianized
and made Roman Catholic by 1800,
starting with the massacre of the
Albigensies, or Cathars, between 1209 and
1229 AD, the rolling papal inquisitions
resulting in the Waldensian massacres in the 1500s,
the slaughter of the Huguenots
in the St. Bartholomew's Day Massacre in
1572, and the final destruction of
hundreds of thousands of patriotic Protestant soldiers
by Napoleon Bonaparte, who was a Jesuit
agent, when this Masonic traitor abandoned
them to die in the Russian snows
of the winter of 1812.
Millions of Bible-believing Protestant Christians
were murdered by Rome under the pretext of
inquisitional war in order to exterminate
biblical influence and restore papal dominion
over Europe.
Pagan Roman Catholic France
was chosen by the Jesuits as the vehicle by which to
introduce modernist humanist art into the world
with Paris as the commercial center for exchange.
I believe Gustave Courbet's
realism is the beginning of the long spiral downward
and in particular his Origin of the World
painting in 1866, which was
shocking at the time because this painting is pure
humanist pornography posing as art.
Scandalous it may have been, but there is no
doubt he was rewarded in secret by the Masons controlling
the system. France in the 1800s was
decadent with prostitution, drunkenness, carousing
and criminality commonplace.
This is because with the rise of industrialism
there was a huge gap between the rich and the poor.
Pornography, although
also extant in other cultures,
really takes off during this time with the aid of mechanical
reproduction and photography.
France, with Paris at the center,
is a hotbed of filth, a cesspool
which then spreads out like ripples on a pond
into the rest of the world. This is why it became
the center of attraction for artists worldwide.
Luciferian bohemian
debauchery. And there's been plenty
of things written about Paris
during the 19th century and what went
on there.
What about Germany, Holland and England?
These were still strongholds of Protestant morality
at the time and somewhat resistant to the cultural degradation
by the Luciferians. That's why the Jesuits
used France as a conduit
for their fifth column infiltration
of culture in order to obtain
worldwide hegemony over the content
and commerce of art.
It is no accident.
Careful study will reveal what has occurred over the last
two hundred years. Most major artistic figures
in art were Catholic and either lived in
or visited France between 1850 and 1945
when the Jesuits then moved
the center of their international culture program
or operation to New York
in their American kingdom.
These major artists were either initiators of
or participants in what we now call
modern art movements such as Impressionism,
Expressionism, Cubism,
Surrealism and Dada
incorporating both abstract and figurative modes
of expression.
Picasso, Matisse, Gauguin
and a long non-comprehensive list of professing
and apostate Roman Catholic artists
can be viewed at a link in my blog
which is part of this video presentation.
I have never ever seen this Luciferian
Jesuit Roman Catholic influence on the production of
20th century art discussed in any art history
that I have read. It may be there
but I have never come across it.
Is it important? More than important
it is critical to understanding modern developments
in art and why and how they occurred.
Pagan Roman Catholic ideology combined
with humanistic philosophy has been the silent
driving force behind modern art
and I might even say modern culture
including films, music,
it is all part of the same package
and it is all controlled by
the Masonic world enterprise under the Jesuits
control.
Recognizing Luciferian traits in cultural
production. So what is the difference between
godly beneficent art and ungodly
Luciferian art you may ask.
Isn't art neutral? Just art?
Unfortunately, no.
Nothing in artistic production is ever
neutral. There is always a message
both conceptually and aesthetically in each
work of art. There are principles that determine
the visual nature of each kind and serve to
distinguish them from each other. This is obviously
more evident in figurative than abstract
art but some principles do apply.
Godly art is imbued with the following qualities
and can be recognized and felt intuitively by the viewer.
Order, beauty,
harmony, profundity,
purity, life-affirming
and truthful from the standpoint of conceptual
truth to subject conveyed
through the combined dynamic of the elements
in the picture object. Although
art is open to personal interpretation,
godly art doesn't set out purposely to deceive
but instead guides the viewer to a deeper
aesthetic experience rooted in light
not darkness.
The godly beneficent artist's intentions
and motivation are honesty and goodness
and the glorification of godly principles
if not the very attributes of God's holiness.
The principles of God's creation
nature are respected and used to create
art that reflects God's creative
merciful and loving nature.
So essentially this godly art
is uplifting,
it's inspirational and
it is counter to
depressing art.
It enhances life
and all the things that are beautiful and good.
Symbolism is employed
to point the viewer to
godly principles and the illumination of those principles
as viewed in nature and the working of the pictorial
elements. Godly order places the responsibility
on the artist to craft works that
act as vehicles of contemplation
and transformation. These objects
are life affirming and reflect the positive
attributes of life. Tragedy and death
are handled with sensitivity again serving to
affirm life not its denigration
offering hope for life beyond death
and bolstering faith in God and His
goodness. Biblical concepts are
adhered to and praised in godly art
resulting in an art that encourages repentance
and radiates positivity,
hope, joy and transcendence.
The artist understands his responsibility toward
the viewer as a creator under
God who is the chief creator.
The creative act is not seen as
selfish but is embraced as an opportunity
to share with and enhance
the lives of others.
Does godly beneficent art need to be just about
seemingly innocuous subjects like flowers,
animals and people? Of course not.
Good godly artists will take a myriad of
themes and subject them to intense inquiry
in the hope of opening up a new way,
a personal way of looking at
and examining that subject.
The finished art will contain a high degree of skill,
beauty and idiosyncratic vision.
It will not be a cheap grab for recognition
using clever tricks but be edifying,
uplifting and even educational
to all.
Luciferian art, on the other hand,
operates from the premise that man is God
and the fulfillment of his desires, however selfish,
are the be-all and end-all in life.
The Jesuit model once again states
the end justifies the means.
And this can be seen in Luciferian art.
The Luciferian-minded artist doesn't consider any responsibility
toward the viewer because art is seen as some
magical entity that must be
conjoined with like a medium
channeling spirits. Art becomes more than
a creative activity. It is an act
and an act of sorcery used to bring forth
a personal message from a muse
and the muse simply is code for evil spirit
that inspires the artist
to original creations of genius
in order to garner personal acclaim.
And I might add there also to further
extend the kingdom of darkness.
The Luciferian artist acts like a God
creating from the imagination images that are
allowed to run riot.
It is not a surprise to find that many artists
indulge in the occult and drugs
becoming conduits for dark themes as a result of these practices.
Horror, anarchy,
dissonance, disorder, repugnance,
sexual debauchery, shock, darkness,
rebellion and death are applauded as
unique and desirable in contemporary art.
Artistic order and tradition are attacked
as being constricting to personal freedom and purity
is trampled in the obsession for originality
and shock value. Anything goes!
Social, commentary,
political, ideology, pornography,
advertising, graffiti, pop culture
and the use of trash materials to invoke a
dirty, grunge, industrial aesthetic are all
funneled into the art.
And this is totally in line with the
Do What Thou Wilt
Luciferian ideology.
Disfiguration, deconstruction,
inversion, appropriation
and repetition or seriality are regularly
used to emphasize Luciferian concepts
of fatalism, existential angst,
impurity, mockery and the glorification
of idolatry, suffering and
death. Luciferian art shamelessly
promotes a self-indulgent, negligent attitude
to the most important issues in life, confirming
instead negativity, decadence,
profligacy and me
as being the central goals to aspire to.
The art is about glorifying the I
to the exclusion of all else.
This kind of art denigrates the sanctity of life
and tramples purity underfoot,
sneering at order and beauty.
Satan is a destroyer and art is
a channel by which he can influence,
pollute and destroy
all that is good.
Could some Luciferian art be misconstrued as otherwise?
Yes, I believe so in some cases,
particularly with abstract art where color and pattern
become the driving elements in picture making.
This simply means that abstract art needs to be
created more carefully, thoughtfully because of
these qualities. The Luciferian artist making
abstract art often tends to darker colors
and patterns of a sinister nature, but not
always. Abstract art can be an ambiguous
middle ground where more care and skill
need to be employed to achieve a positive
and life affirming representation.
Some problems I see are with the element
of mystery which can be employed toward good or bad
in an art piece. Elements like bright color can also
be used to disguise malicious intent in
art as it distracts the viewer from the true
content in the work, cloaking it with a sense of
lightness, fun, or innocence.
This is often done to lure children
in many forms of art.
Some examples of very famous wealthy
Luciferian artists working over the last 50 years
are Andy Warhol, Jeff Koons,
Takashi Murakami, Cindy Sherman,
and Damien Hirst. These all use
occult symbols, hedonism,
and sexual innuendo covertly
and often overtly in their art,
often masked by bright color.
To the unversed there is nothing to see.
To those who read and understand images, it's all
in there. This art serves two purposes.
It is bought and traded by wealthy
Luciferians for pleasure and business,
and it propagandizes the public
with satanic themes, right there,
in plain sight, in the museum, in the gallery,
wherever it is exhibited or displayed.
Once a piece of art
is in the accepted canon, it will be
thrust under the noses and in sight of all,
over and over in TV advertising,
movies, magazines, textbooks,
and exhibitions, and online, everywhere,
until after decades of exposure,
it is not questioned,
but accepted as the masterpieces
that they are claimed to be.
Art making is a spiritual
activity. Every culture
worldwide that makes art will reveal their spiritual
beliefs in the way they construct art.
All indigenous cultures have some form of art creation,
and usually for the purpose of worship, or
superstitious appeasement of spirits or gods.
In this sense, I'm talking about
the creation of idols, figures
that are worshipped. This doesn't need to be
proven, as is evident to anyone who takes the time
to investigate these cultures.
In the same manner, art creation within the Western
system is spiritual, even when it seems to be
about everything else. Creation
is a spiritual act, regardless of the artist's
intentions or motivations. To
make is to employ logic and imagination
in order to bring an object into the world
that had not previously existed.
This is what God did when he spoke the creation
into existence in the book of Genesis.
The artist can either use his creative skills to
glorify God and goodness, or glorify
Satan and the dark side. There is a
very tenuous middle ground.
If it's not being done for one,
then it's probably being done for the other
by default. The artwork will
reflect what the artist believes personally.
It is a choice the artist makes, but the
art will definitely reflect what the artist
believes one way or the other.
Art can be interpreted, and
personal idiosyncrasies and beliefs are often
imbued in the artwork.
Can a Satanist paint seemingly harmless and
colorful flower paintings? Yes, indeed,
and sometimes they become famous for it, but it is
a rare exception to the rule that I have observed
in the mainstream art world. Maybe Andy Warhol,
or Alex Katz, and Gerhard Richter
are the only three well-known artists that have used
flowers repeatedly as a subject for exploration
over the last 50 years, but possibly only
Katz and Richter have become well-known
because of it. Just two artists out of
thousands in the mainstream.
Henri Matisse, a lapsed Catholic,
created paper cutouts in his last days,
one of which represented Icarus falling,
taken from the Greek myth of Daedalus and Icarus.
Matisse was a lapsed Catholic and
Luciferian who enjoyed considerable success
most of his life for his willing participation in
and promotion of the Jesuit Masonic Humanist
agenda in degrading art and culture.
Even in his last days he was promoting a false
spiritual reality in his art.
Claims that Matisse became a Christian at the end of his life
because he designed stained glass windows for the Rose Chapel
at Vence in France are blind
to what his art symbolizes. Look carefully
and you will see many occult references disguised
as supposedly Christian motifs.
In my opinion, and derived from
statements made by Matisse, he was a pagan
Luciferian to the end.
The Cult of Death
The Jesuits of Rome are the cult of death at work
in the world today. They promote every sick and perverse
act in order to corrupt civilization.
They twist every good and pure thing
while hiding behind masks of religious
piety, pretending to be good.
Despite the 2,000 or more books written
over the last 300 years warning about the Jesuits,
they have managed to avoid hard core scrutiny.
And most of these books are now out of print,
out of circulation, and unavailable.
People have been fooled for a long time and they have
gotten away with crimes too diabolical to describe.
But, some are waking up
to what's been going on.
The Jesuits promote death
and the denigration of everything that is good
in art, even though they claim to be champions of
beautiful art. They will point to the Vatican collection
as proof of their sincerity. This is
the Luciferian mode of deception, showing one
thing but secretly doing the opposite.
Today we can see people walking around sporting death skulls
proudly on every fashion item available.
The skull is an occult symbol,
but most people are totally unaware of its greater
spiritual significance. These fashion labels
are controlled by Masonic businesses, which deliberately
steer public perception towards dark themes
and clothing styles. Fashion is
another form of art.
The culture of death promotes sick and deviant behavior,
which is then rewarded with leniency by corrupt
Masonic judges. In advertising and
product manufacturing we see the trademark symbols of the
death cult emblazoned everywhere.
Human behavior is becoming more and more perverted
and violent, almost as a growing reaction
to the surrounding stimuli coming through
this debased culture and education.
Skulls, skeletons,
demons, monsters, witches, wizards,
spirits, gratuitous acts of violence,
cruelty, and torture can be viewed
in any movie, book, or magazine.
Yes, normalizing skulls and death
desensitizes the mind to what these actually represent.
They are symbols for Satan,
the author of rebellion, death, and destruction.
This is illustrated in a picture of a statue
of Francis Borgia, 3rd Jesuit
Superior General, holding a skull with a crown.
Somewhat reminiscent of a scene from Shakespeare's
Hamlet, this is evidence in plain sight
that the Jesuits glorified death
and the author of death, Lucifer.
The Jesuits represent and glorify
Satan. This is what the Jesuits want all people
to do. People don't realize that death
came to mankind because of Satan's lies and deception.
Many are now blindly glorifying death
and thus the author of death.
If you think death is cool, then you have no idea
how desensitized to truth you have become.
In Mexico and other Catholic societies,
they celebrate death not realizing what they are doing.
They are blind because of false Catholic teaching
that teaches praying to the dead, and the ritual
killing and cannibalistic eating of Christ
over and over in every pagan mass.
Art is playing a big part
in this brainwashing of gullible
and ignorant humanity.
Ask anyone if they would like to die, right now,
and you'll get a look of fear and horror at the suggestion.
Death is not cool,
so why glorify it like it's nothing
and that it doesn't matter? No one wants to die,
yet people celebrate death as cool.
Does that even make sense? Logic says no.
Celebrate life instead.
When a person dies, that's it.
Game over. They don't and can't
come back. The whole world is slowly
being initiated into the culture of death.
Death because human life has been gradually
debased and deemed of little value by
and in pop culture.
I will include a video link where you can listen to
the Jesuits praise their contribution to art and culture
to the exclusion of a significant
Christian heritage of contribution to the arts.
The Jesuits will never admit their involvement
in orchestrating the commercial art world
and its cultural effects on humanity.
Art and culture as a weapon.
The Jesuits have used art to seduce humanity.
The Jesuits weren't created as just another order of priests
tasked with ministerial service as the society
in the Vatican insists and continuously
state publicly. This is a lie.
Yes, the Jesuits lie. All the time.
Under a false guise of piety, deceiving
many. The Jesuits are a military
priestly order tasked with returning
full temporal and spiritual power over the earth
to the Pope of Rome.
From their inception
in 1540, they immediately
traveled to the ends of the earth to infiltrate
and subjugate the peoples of the earth for Rome.
They were in China, Japan and Thailand before 1580.
They were in South America, Mexico and North America
as early as 1549.
They were also in Russia as early as 1560.
Not for the purpose of ecclesiastical mission
but the subversion of orthodox Catholicism
and overthrow of the established political order.
In every country and society, they
invaded. Everywhere they went.
They attempted to convert the natives
to pagan Catholicism and then through education
radicalized them toward revolution
with Luciferian concepts of natural law
and social justice. Both doctrines
having been refined over time by Jesuit scholars.
These fascist doctrines are now
enshrined in the UN Agenda 21 Charter
and are being implemented worldwide into every nation
thrust upon an unsuspecting populace.
The Jesuits used their knowledge of astronomy
cartography and science to impress the natives
and rulers of foreign lands in order to compete
with the court officials and gain favor with kings and princes.
The Jesuit persistence is legendary
and even after being thrown out of 83 countries
and states for intrigue and subversion
they would make their way back again in time and begin the process
all over again. Their aim was
and is now the same. To direct the policies of
kings and sovereigns in order to establish their own agenda.
They would do this until they could foment a revolution
and overthrow their hosts and install a dictator
compliant with Rome. Thus gaining complete control
of the land and enslavement of the people.
There is only one goal that the Jesuits
have been working for and that is world control
for the Roman Catholic cult
and they won't stop their subterfuge until
they obtain it.
Unfortunately most are blind to see this.
Soon however all world systems will be merged
completely into one with a one world
government and religion which in fact is already here.
If you are able to see that something is terribly wrong
and are looking for the truth then there is hope for you.
Time is short. God
is commanding all men to repent of their sins
and receive forgiveness before this world system comes
to an end forever. After Jesus Christ
returns it will be too late as it will be time
for the judgment of all human souls.
There are no second chances so please
consider carefully what I am saying.
Jesus Christ declared in John chapter 14
and verse 6, I am the way
the truth and the life.
No one comes to the Father except through me.
There is only one way
to eternal life and that is Jesus Christ.
In Acts chapter 17
verses 30 and 31 Peter states
although God overlooked the ignorance of earlier times
he now commands all men everywhere
to repent for he has set a day
when he will judge the world with justice by the man he has
appointed. He has given proof of this to all men
by raising him from the dead.
And that is indisputable
proof that God raised
Jesus Christ from the dead. And because of him
and because he was raised from the dead all those
who place their hope in him also have
the hope of being raised from the dead to eternal life.
People, time is almost up
and history is almost done. So now
is the time to get right with God.
I will put links to reference sites
and videos in the box below. Thank you for listening
and may God open up your eyes to the truth of this
evil world system and
the art that is currently being
promoted around the world. Look at it carefully.
Study it.
Please share this video with others so they too
might wake up from their sleep.
I hope to see you in video 39B which will complete
this overview of Luciferian
modern art.