WEBVTT 00:02.020 --> 00:08.490 Hello, and welcome to video number 39B in this two part series on the Jesuit Vatican 00:08.490 --> 00:15.270 Shadow Empire that rules the world of art and culture today, From the Shadows. 00:17.160 --> 00:22.730 Once again, it is pertinent to repeat here that the Luciferian mindset produces corrupt 00:22.730 --> 00:29.590 satanic art. And this is why artists who wish to achieve fame must submit to the Luciferian 00:29.590 --> 00:36.070 cultural agenda for success. The Jesuit Vatican Masonic Business Empire controls the art world 00:36.070 --> 00:40.750 just as it controls all other spheres of human endeavor. 00:43.110 --> 00:51.490 The art system. The selection of artists and art. The arts are powerful and are manipulated 00:51.490 --> 00:57.890 by the Jesuit controlled Masonic arts business system to suit the times, changing fashion 00:57.890 --> 01:06.870 and perpetuate the ongoing immersion of societies into the Luciferian mind. It is about the 01:06.870 --> 01:12.830 Luciferian mindset, which is opposed to anything that is godly and good. 01:14.270 --> 01:24.350 Visual art, music, theater, dance, fashion and film are all molded to the satanic agenda 01:24.350 --> 01:31.430 spewing out concepts and ideals that corrupt the hearts and minds of viewers and participants. 01:32.290 --> 01:39.330 The Jesuits were quick to capitalize in the early 1600s on the Baroque aesthetic in theater, 01:40.010 --> 01:46.570 music, art and fashion to seduce the European aristocracy with the pursuits of pleasure 01:46.570 --> 01:53.930 and hedonistic lifestyles. Jesuit theater productions were renowned for their extravagance 01:53.930 --> 02:00.810 and drew social elites, which the Jesuits then endeared themselves to by flattery with the 02:00.810 --> 02:07.690 aim of infiltrating and gaining sway over wealthy influential families. 02:09.630 --> 02:15.350 They still control the theater productions today, whether it is in London's West End, 02:15.730 --> 02:23.910 or Broadway in New York, or Berlin, or Tokyo, or New York, wherever it may be. 02:25.310 --> 02:31.430 Whatever city there is a major theater production going on, these are controlled by the Jesuits. 02:32.350 --> 02:39.770 One of the biggest ones is the Wizard of Oz, which I have talked about in another video 02:39.770 --> 02:47.250 or blog. The Wizard of Oz is being performed somewhere in the world any minute of the day, 02:48.030 --> 02:57.650 as a theater production, as a film production, as a classroom presentation, as a movie presentation. 02:58.450 --> 03:08.130 The Wizard of Oz is one of the biggest projects that the Jesuits maintain and keep rolling 03:08.130 --> 03:14.030 from year to year, because it is full of Luciferian concepts. 03:22.070 --> 03:29.770 The Jesuits realized very early that education and culture were the best modes for seducing 03:29.770 --> 03:35.850 society with the temptations of worldly pleasures and ideological programming. 03:36.820 --> 03:43.610 The Jesuits set up a center called the Collège Louis Le Grand for the ballet in Paris by 03:43.610 --> 03:52.390 1650, very early in the piece, and in 1722 promoted a production of Vivaldi's oratorio 03:53.010 --> 03:56.290 Adoration of the Magi in the Cathedral in Milan. 03:57.210 --> 04:06.170 Here we go, really early in the piece, they are staging musical productions, ballet schools 04:06.170 --> 04:13.590 and ballet productions. Why? To infiltrate and put into the public mind 04:14.530 --> 04:22.990 Luciferian concepts and ideals. The Jesuits are masters at adopting new cultural 04:22.990 --> 04:30.970 modes in order to move with the times, seducing societies everywhere with entertainment, and 04:30.970 --> 04:38.190 so they took control of education and culture everywhere they went, blending the two together. 04:43.330 --> 04:54.470 Thomas Lucas, a Jesuit states, this tradition, 150,000 plays performed across the world over 04:54.470 --> 05:00.210 the first two centuries of Jesuit education and countless more since the 19th century 05:00.210 --> 05:06.530 restoration of the order after its suppression, was about more than entertainment, fun and 05:06.530 --> 05:14.070 games. Theater, dance and visual spectacle were not considered as ends in themselves 05:14.070 --> 05:21.170 but were seen as useful educational tools that formed morally astute citizens and socially 05:21.170 --> 05:27.070 competent persons who could comport themselves in public in a convincing way. 05:28.070 --> 05:39.470 This quote is taken from the Spiritual Exercises in Art and dated 2015. So here we see the Jesuits 05:39.470 --> 05:44.190 admitting themselves that they are using culture and education, they are mixing them together 05:44.190 --> 05:51.130 in order to bring people into the Luciferian mindset through entertainment, through fun 05:51.130 --> 05:57.990 and games. This is really important to understand because today you can talk to anybody on 05:57.990 --> 06:02.110 the street, they will tell you about the movie stars, they will talk to you about the latest 06:02.110 --> 06:06.830 movies, they will talk to you about the latest films and books, they know all of this but 06:06.830 --> 06:13.950 they have no idea what is happening politically in the world essentially. No idea. But they 06:13.950 --> 06:21.110 know everything about Hollywood and the stars. So people are being brainwashed with this 06:21.130 --> 06:26.830 trivia while the Jesuits have distracted them away from what they are actually doing 06:26.830 --> 06:34.050 in the world which is taking control of all governments, all finance, all business worldwide. 06:35.690 --> 06:41.070 And that is the purpose of entertainment is to distract away from the truth. Contrary 06:41.070 --> 06:47.110 to the Jesuits claim, they have in fact have been and are directly responsible for using 06:47.110 --> 06:55.690 performance and entertainment to mold the public mind for the last five centuries. There 06:55.690 --> 07:01.150 is little doubt in my mind the Jesuits were also behind the Shakespeare phenomena which 07:01.150 --> 07:06.430 has had an enormous impact on social thinking although there are conflicting academic opinions 07:06.430 --> 07:13.990 about it. Still today nobody knows who Shakespeare really was. There is virtually no information 07:13.990 --> 07:20.150 about this character called Shakespeare. And I do believe personally that Shakespeare's 07:20.150 --> 07:29.730 plays and poems were written by a Jesuit or a Roman Catholic author. It may even have 07:29.730 --> 07:36.790 been a group effort. And Shakespeare is very influential in culture and education across 07:37.310 --> 07:42.730 the world today. There are very few people who don't know at least two or three of Shakespeare's 07:42.730 --> 07:49.170 plays or poems. Today we are watching the end result of 500 years of ever increasing 07:49.170 --> 07:56.590 levels of exposure by people to Luciferian Jesuit art productions on TV, in theaters, 07:57.130 --> 08:04.070 cinemas, art galleries, and on the internet. The last 50 years has seen an avalanche of 08:04.070 --> 08:10.810 pop music, films, TV programs, blockbuster art festivals, exhibitions, and staged musical 08:11.090 --> 08:19.910 productions. An absolute avalanche since the 50s and 60s. And today this is what most 08:19.910 --> 08:25.790 people know. They don't know anything else. People are being saturated by the masonic 08:25.790 --> 08:32.670 popular entertainment media machine. And it is a massive machine. Access to these productions 08:32.670 --> 08:39.810 is easy and often on a 24-7 basis through cable TV or through the internet. Totally 08:39.810 --> 08:44.830 unaware that they are being conditioned by Luciferian concepts and morality. Endless 08:44.830 --> 08:55.450 hours are wasted by people watching and absorbing these production line fictions. Fiction. The 08:55.450 --> 09:01.510 Jesuits are filling the world up and people's minds up with fictions so that they do not 09:01.510 --> 09:09.790 know fact anymore. And it is very hard to discuss fact with people these days. Because 09:09.810 --> 09:16.790 they will quickly dismiss your fact because their minds are full of fictions. They relate 09:16.790 --> 09:22.730 more to fiction than fact. The Jesuit culture machine has done such an extraordinary job 09:22.730 --> 09:27.570 of addicting the masses and killing human thinking that people no longer recognize right 09:27.570 --> 09:34.730 from wrong. It is all relative to them and how they feel in the moment. TV in particular 09:34.730 --> 09:39.890 has been a powerful weapon to brainwash and bend the public mind to the Jesuit controlled 09:39.890 --> 09:48.070 political and media apparatus in all advanced countries. And now also in most underdeveloped 09:48.070 --> 09:55.870 countries. You will find TV everywhere. TV even in the poorest homes around the world. 09:56.710 --> 10:03.590 Richard Nixon stated and very presciently so in the 70's that, and I quote, the American 10:03.590 --> 10:13.050 people don't believe anything until they see it on TV. Unquote. And that is so true. Most 10:13.050 --> 10:20.630 people get their reality from TV. This statement now applies everywhere not just the USA as 10:20.630 --> 10:26.230 TV culture has saturated most social groups worldwide with Luciferian concepts and morals. 10:26.410 --> 10:33.050 We can see the end results in the rebellious behavior, violence, and sexual immorality 10:33.050 --> 10:39.930 people everywhere are advocating and practicing at ever alarming levels. It's fragmenting 10:39.930 --> 10:46.810 society folks. You can't have this debauchery and not have it destroy families and destroy 10:46.810 --> 10:54.250 lives. You can't. And that is why society is fragmenting everywhere under this deluge 10:54.250 --> 11:00.750 of pornography and entertainment. Do not be fooled dear listener. Modern art begins 11:00.750 --> 11:06.190 under the influence and patronage of the Roman Catholic Church well before but especially 11:06.190 --> 11:13.130 during the Quattrocento or 15th century which saw an explosion of religious art imbued with 11:13.130 --> 11:19.270 Luciferian concepts and symbology. With the founding of the Jesuit order in 1540 control 11:19.270 --> 11:26.570 of art began to shift and to slide under Jesuit control. And with the 1814 reinstatement of 11:26.570 --> 11:35.170 the Jesuits by Pope Pius VII it is a fait accompli with the system of academic art under 11:35.170 --> 11:44.790 management by Roman Catholic Jesuit co-adjuders or agents, participants. When the Roman Catholic 11:44.790 --> 11:50.410 Church realized it couldn't retain direct control of artists and the production of art, 11:51.350 --> 11:58.410 due to the freedoms birthed by the Protestant Reformation, they had to develop other plans 11:58.410 --> 12:06.210 to usurp control over art production. The development of art from the Renaissance up 12:06.210 --> 12:12.930 to 1814 is a mirror to the secret control exerted by the Roman Catholic Church on cultural 12:12.930 --> 12:19.730 production in Europe. Roman Catholic artists such as Nicholas Poussin, Diego Velazquez, 12:20.890 --> 12:27.930 Michelangelo Caravaggio, Peter Paul Rubens, and others began to stretch established conventions 12:27.930 --> 12:34.910 in art, blending myth with biblical truths, forming a bridge toward the future artistic 12:34.910 --> 12:42.910 annihilation of all that is sacred. After 1814, art under Jesuit control takes a significant 12:42.930 --> 12:49.850 turn toward the distortion of the surface plane, especially in painting, and the abstraction 12:49.850 --> 12:57.370 fragmentation of the figure. Art is being made to reflect Jesuit-sponsored ideology 12:57.370 --> 13:06.270 and philosophy, in order to divide social opinion, alter mass perception, and foster 13:06.270 --> 13:15.630 widespread acceptance of Luciferian androgyny, relativism, and the deification of man. These 13:15.630 --> 13:24.510 are the objects. This is what the Jesuits are attempting to do to society. Today, papal 13:24.510 --> 13:31.330 Masonic Jews oversee the art museum and gallery system worldwide on behalf of the Jesuits. 13:31.720 --> 13:35.710 This is why everybody thinks it's the Jews. It's the Jews. The Jews are controlling everything. 13:36.230 --> 13:41.670 No, they don't. They are papal employees. They don't control anything. They are managers 13:42.230 --> 13:47.930 for the banking system, for the art system, for the business system. And also in Hollywood. 13:48.090 --> 13:54.670 You've got Jews. They are managers only, under the Jesuits. It's the Jesuit Roman Catholic 13:54.670 --> 14:02.530 system that controls it all. Art movements are invented and or co-opted to accomplish 14:02.530 --> 14:09.190 the aims of the Jesuit cultural propaganda program against humanity. It is a propaganda 14:09.560 --> 14:14.930 program. Centuries ago, art and art history were set on a slippery slope and have been 14:14.930 --> 14:21.850 on a downhill trajectory under the Jesuits' watchful guidance. They want maximum impact 14:21.850 --> 14:30.550 value on society for the untold billions of dollars they invest annually. Art movements 14:30.550 --> 14:38.910 such as Impressionism, Post-Impressionism, Cubism, Expressionism, Dada, Surrealism, and 14:38.910 --> 14:45.770 eventually also Pop and Post-Modernism were co-opted by the Jesuit management system because 14:45.770 --> 14:53.190 the art produced is constructed as a mirror reflecting and projecting the Luciferian reality 14:53.950 --> 15:00.710 of relativism into the minds of millions of viewers and thus shaping and transforming 15:00.710 --> 15:11.950 public perception of reality. They are changing the public perception of reality, filling 15:11.950 --> 15:18.270 it up with fictions. This was also done through the media and education, thus totally brainwashing 15:18.270 --> 15:27.030 at least eight generations of people. Eight generations of people have now been saturated 15:28.000 --> 15:41.620 with this Luciferian culture. This is why we are where we are today, living in an increasingly 15:41.620 --> 15:49.960 godless and immoral social environment where everyone does what they want. This is the 15:49.960 --> 15:58.100 fulfillment of Aleister Crowley's, Do what thou wilt shall be the whole of the law. This 15:58.100 --> 16:05.520 is the central axiom for his satanic religion, Thelema. In other words, social anarchy with 16:05.520 --> 16:13.040 complete disregard for law and order and for others. Total disregard. It's just about 16:13.040 --> 16:21.180 me, me, me, me and doing what I want, doing what I want. Totally disregarding laws, rules 16:22.180 --> 16:29.620 and social order and others. Trampling on other people to get what you want. This is 16:29.620 --> 16:35.720 the central mindset today. The modern art market really begins in mid-nineteenth century 16:35.720 --> 16:43.640 Paris, France. Paul Durand-Ruel, who lived between 1831 and 1922, is a key French Catholic 16:43.640 --> 16:49.480 art dealer who took over the family business in 1865 and began his long association with 16:49.480 --> 16:55.260 the Impressionists, eventually establishing offices in London and New York. Without him, 16:55.260 --> 17:00.440 we may not have the art history we have. He is a key figure. Essentially, he collected 17:00.440 --> 17:08.000 the artists who began to dissolve the appearance of the world with little dots of paint and 17:08.000 --> 17:15.300 reality we see and know. Also very important are Paul Rosenberg, who lived between 1881 17:15.300 --> 17:25.200 and 1959, and Daniel Henry Kahnweiler, who lived between 1884 and 1979. These are key 17:25.200 --> 17:31.420 Jews who collected and promoted Picasso, Matisse, and Braque in the first decade of 17:31.420 --> 17:38.480 the twentieth century, thus enabling first the social acceptance and then the adulation 17:38.480 --> 17:47.560 of the full fragmentation distortion of the figure. And this came through Cubism in the 17:47.560 --> 17:54.820 first part of the twentieth century. Now Ambroise Vollard, who lived between 1866 and 1939, 17:55.200 --> 18:01.960 is another very important Catholic dealer who championed Cezanne, as well as Picasso 18:01.960 --> 18:09.400 and Matisse. By 1910, Kandinsky, Mondrian, and Malevich are abstracting the picture surface 18:09.400 --> 18:19.660 and the real, the real disappears, eventually pared down by Malevich to a black square. 18:19.660 --> 18:28.720 The black cube is symbolic of the pagan worship of Saturn, which in turn represents Satan. 18:30.400 --> 18:36.260 This is where art truly gets endowed with metaphysical properties. Both Kandinsky and 18:36.260 --> 18:42.800 Mondrian were theosophists, and Malevich was also into a form of theosophical mysticism 18:42.800 --> 18:49.340 based on the teachings of George Gurdjieff and P.D. Ospensky, also involving Eastern practices 18:49.340 --> 18:57.980 like yoga. So the period between 1890 and 1920 sees an explosion of occult art directly 18:57.980 --> 19:05.900 birthed out of Luciferian theosophical teaching. Many of the artists in the early modernist 19:05.900 --> 19:13.120 period were occultists. They were practicing sorcery and black magic, fortune telling, 19:13.720 --> 19:23.720 and this comes into their art, and that's why a lot of the art is dark. It's dark, and 19:23.720 --> 19:32.940 it's full of pornography, eroticism, and Luciferian concepts. Some of it even outrightly worships 19:32.940 --> 19:33.280 the devil. 19:35.460 --> 19:41.540 Okay, the art market. Marta Kniep states, and I quote, if you thought that the internet 19:41.540 --> 19:46.460 and new media had completely revolutionized our lives, you would be surprised about how 19:46.460 --> 19:53.100 stable, or perhaps even old-fashioned, the structure of the art market is. She's talking 19:53.100 --> 19:58.480 about the art market today. The current system originated more or less in 19th century France 19:58.480 --> 20:04.200 when the new capitalistic economic model allowed artists to experiment freely with artistic 20:04.200 --> 20:10.480 issues and subjects that were no longer dictated by the kings, the church, or aristocrats. 20:11.040 --> 20:15.560 As a result, the artists got their long-desired, unlimited freedom to create whatever they 20:15.560 --> 20:20.100 pleased. But at the same time, they also had the heavy burden of searching for a public 20:20.100 --> 20:25.440 in buyers themselves. In this dramatic struggle for survival, they got support from the actors 20:25.440 --> 20:34.200 who had never left them, art critics and art dealers. She further states, and I quote, 20:34.200 --> 20:41.410 the Frenchman Paul-Durand Ruel, Ambroise Vollard, and Paris-based Daniel-Henry Kahnweiler, 20:42.260 --> 20:46.490 whom I just mentioned previously, are considered to be the founding fathers of the professional 20:46.780 --> 20:52.240 dealer. Their practice helped to formulate the unwritten rules of the profession, although 20:52.240 --> 20:58.340 its structure did take over some elements of the old system of patronage. By neglecting 20:58.340 --> 21:02.880 the dominant academic taste, they managed to spot new key artists, acknowledge their 21:02.880 --> 21:08.460 importance, and convince collectors of their outstanding quality. Interestingly, it was 21:08.460 --> 21:13.720 the dealers who recognized the relevance of artists, such as Claude Monet, Paul Cezanne, 21:14.020 --> 21:19.500 and Vincent van Gogh, in the first place, before the academic world or museums did. 21:21.220 --> 21:26.940 Unquote. My comment here is, of course they did. These rich collectors were Luciferian 21:26.940 --> 21:33.000 Freemasons who recognized and personally lived out the ideals expressed in the art. 21:33.820 --> 21:44.260 That of rebellion, idolatry, profanity, sexual promiscuity, and do what thou wilt. Total 21:44.260 --> 21:47.560 rebellion against God's law. 21:49.680 --> 21:56.140 Pierre Matisse, Henri Matisse's son, a Catholic, is also very important in taking progressive 21:56.140 --> 22:02.900 French art to New York early in 1924. Independently and corporately, these five men, through aggressive 22:02.900 --> 22:10.900 evangelization, created the modern art market model, determining the secretive artist-dealer-museum 22:11.700 --> 22:19.480 relationship, which is still adhered to today. Same system as a hundred years ago. With or 22:19.480 --> 22:24.300 without knowledge of Jesuit control, these men were directed in their decisions by the 22:24.300 --> 22:31.640 Masonic system and cooperated with it for personal enrichment and helped establish the 22:31.640 --> 22:34.820 current pyramid-like art world hierarchy. 22:43.440 --> 22:50.620 Once the production of art had transitioned from dependency on wealthy private patronage 22:50.620 --> 22:56.560 to the public commercial marketplace comprising gallery, museum, and collector, then the mechanism 22:56.560 --> 23:04.480 for control of that market and art as a commodity was gradually put in place and transferred 23:04.480 --> 23:10.620 to New York, the center of the Jesuit's American kingdom. During the 20th century, collectors 23:10.620 --> 23:17.360 from Russia, France, Britain, and the USA jostled for ownership of the art touted as 23:17.360 --> 23:27.200 valuable by the gallery system. The whole system is in lockdown mode, permitting only 23:27.200 --> 23:38.480 artists that are vetted and accepted who are producing Luciferian art. In addition to the 23:38.480 --> 23:43.660 five seminal Parisian collectors, other powerfully influential figures such as Paul Guillaume 23:43.660 --> 23:52.360 of France, Sergei Shukin, Pavel Tretkyakov, and Eisen Morozov of Russia, Samuel Courtauld, 23:52.920 --> 24:00.140 and Charles Saatchi of the UK, Albert Barnes, Isabella Stewart Gardner, Duncan Phillips, 24:00.800 --> 24:07.580 Gertrude Vanderbilt Whitney, Solomon R. and Peggy Guggenheim, Clement Greenberg, and Leo 24:07.580 --> 24:15.240 Castelli of the USA formed what is recognized as the world art market system today. Seemingly 24:15.240 --> 24:23.620 self-regulated and intensely privately autonomous, it is strictly off limits to outside scrutiny 24:23.620 --> 24:33.660 and to artists who don't fit into the Luciferian mold. Why? It's simply because art and culture 24:33.660 --> 24:39.080 is a propaganda tool, and that system is controlled by the Jesuit Masonic hierarchy 24:39.400 --> 24:45.940 which works undercover and is medieval in attitude. The Jesuits hate progress and freedom, 24:46.280 --> 24:50.880 being totally fascistic in their approach to how they control systems, whether it be 24:50.880 --> 24:57.360 political, religious, banking, business, education, or culture. However, they will use them to 24:57.360 --> 25:08.840 advance their cause in establishing a worldwide technological autocracy. They use Jews and 25:08.840 --> 25:14.440 liberal Catholics as a front to their control system, and I can vouch that art is controlled 25:14.440 --> 25:24.320 by the Vatican. Always was, and still is today. Culture is their baby for brainwashing people 25:24.320 --> 25:35.880 en masse. It is so effective, in particular TV, movies, and music. Artists are vetted and selected 25:35.880 --> 25:42.700 through a growing system of prizes, competitions, and exhibitions. Banal, vacuous, transgressive, 25:42.860 --> 25:50.740 profane, blasphemous, or cultural Marxist ideology-driven art is usually chosen over beautiful, 25:50.740 --> 25:57.580 harmonious, transformative, life-affirming, or biblical art for cutting-edge international exhibitions. 25:57.900 --> 26:05.840 If the artist is a Mason or occultist working with Luciferian concepts like sustainability, gender fluidity, 26:06.400 --> 26:14.160 immorality, magic, witchcraft, paganism, primitivism, or anti-authority, they will definitely get 26:14.160 --> 26:22.200 preference over an artist that is attempting to express beauty, order, and godliness. Take my word for it. 26:22.320 --> 26:31.320 You can look around. I've studied this for 25 years. I am an artist, and I've been in the system for a long time. 26:31.800 --> 26:41.020 I know how it works. Art built on a grunge or factory aesthetic, death imagery, darkness, foreboding, 26:41.020 --> 26:50.640 banality, or projecting existential angst will inevitably be chosen over art that expresses purity, harmony, 26:51.360 --> 26:56.500 profundity, order, and a positive outlook on life and the future. 26:59.280 --> 27:06.240 Here's a quote from Metzger, or sorry, Joan Miro from 1931. 27:07.240 --> 27:14.240 And I quote, I intend to destroy, destroy everything that exists in painting, unquote. 27:15.260 --> 27:24.740 So the object was to destroy. It doesn't matter how they did it. It was, the central point was to destroy it. 27:24.740 --> 27:31.720 And many people will argue that they were destroying it to remake it. But to remake it in the image of what? 27:33.300 --> 27:43.140 Well, you'll find that nearly all these artists were remaking art into the Luciferian mold or the Luciferian mindset. 27:43.320 --> 27:45.720 They were adapting it to those concepts and ideals. 27:49.140 --> 27:52.980 Okay, here's a quote by Pablo Picasso. And I quote, 27:53.460 --> 27:57.120 Every act of creation is first an act of destruction. 27:58.080 --> 28:03.920 And Picasso said this and everyone thought he was so clever, so avant-garde, not realizing he actually meant it. 28:04.360 --> 28:08.760 He had already become wholly indoctrinated into godless Nietzschean existentialism. 28:08.760 --> 28:19.120 He purposefully set out, set about as destroying everything beautiful in art, leaving a trail of human betrayal, suicide, and suffering in the wake of his relationships. 28:19.920 --> 28:26.500 What a miserable excuse for humanity he was. Yet the art world has worked tirelessly to turn him into a legend and a hero. 28:27.300 --> 28:34.160 The 20th century was indoctrinated into the aura of Picasso the master, the god, the art god. 28:34.160 --> 28:42.520 Not realizing his thinking and methodology were occultic, Jesuitical, and aimed at the destruction of beauty in art and culture. 28:43.060 --> 28:48.020 And of course he was a Catholic. Oh yes, he was a Roman Catholic. Don't worry. 28:48.020 --> 28:59.580 Of course the godless Masonic art system promoted him as the cultural wunderkind, the wonderchild of the century, extolling his philosophy and practice as genius, 29:00.160 --> 29:06.200 and rewarding him handsomely with wealth and status unheard of for an artist and never seen before in history. 29:07.300 --> 29:16.840 Unbelievable. So it is Picasso who opens the door to this godlike status for the painter or the artist. 29:17.460 --> 29:30.960 He was gifted, but it was his obedience to the Luciferian system that made him famous, and also explains why the Nazis left him alone while he was in Paris during World War II. 29:31.900 --> 29:43.720 He should in reality have been rounded up and incarcerated as the communist he was, or shot as a degenerate artist, but no, he was protected by the Jesuits who had put Adolf Hitler into power. 29:45.360 --> 29:53.920 That's why he was never put into a concentration camp. He was protected. The Nazis left him alone because they were told to leave him alone. 29:55.260 --> 30:00.040 As if to mirror the advent of Picasso's destruction of culture around 1910. 30:00.040 --> 30:16.860 1910, the Jesuit Masonic plan World War I was foisted onto humanity. In 1914, permanently distorting the social order worldwide by destroying the flower of Protestant male youth from so many countries. 30:17.620 --> 30:23.460 The 20th century became the century of destruction and human carnage never before seen in history. 30:24.160 --> 30:31.460 Picasso was the satanic herald of what was to follow Cubism and the destruction of the image surface. 30:32.360 --> 30:41.840 With the destruction of the image surface came the destruction of the world, and the destruction of the word of God, and the destruction of the gospel. 30:42.760 --> 30:59.780 This was the purpose. It was to destroy everything and rebuild it into the Luciferian image through war, death, destruction, art, fragmenting the surface, all fits together. It all comes together at the same time in the early 20th century. 31:03.100 --> 31:07.780 Arianna Stassinopoulos states in her book, Picasso, Creator and Destroyer, 31:08.720 --> 31:18.300 from the time, and I quote, from the time that he shook the art world with Les Demoiselles d'Avignon in 1905, Picasso was out of love with the world. 31:18.700 --> 31:25.740 He saw his role as a painter, as fashioning weapons of combat against every emotion of belonging in creation, 31:25.740 --> 31:32.360 and celebrating life against nature, human nature, and the God who created it all. Unquote. 31:33.220 --> 31:46.820 There it is. Picasso hated God and was creating weapons and an art that was meant to bring God down to wage war against God and against society. 31:47.500 --> 31:55.380 You can read the full book review by Norma Hammerman and I'll supply the link where you can read that full book review. 31:57.320 --> 32:04.880 Many artists were encouraged by the artistic liberty Picasso opened up to descend to even greater depths of cultural chaos and depravity. 32:05.300 --> 32:13.500 Data and surrealism emerged from the destruction of the First World War, advocating anarchy, a new order, and the destruction of reason itself. 32:13.500 --> 32:17.440 That's right, a new world order. Sound familiar? 32:18.240 --> 32:33.460 Powerfully connected advocates such as Marcel Duchamp, Tristan Tzara, André Breton, Francis Picabia, Man Ray, Hannah Hawke, Jean Arp, among others, had a powerful ripple effect on art culture worldwide, 32:33.960 --> 32:39.020 becoming the progenitors of the next generation of artistic transgressors. 32:39.820 --> 32:48.880 Most of these figures are documented occultists and Freemasons. Out of their own mouths, many of these figures admitted that they were occultists. 32:49.460 --> 33:00.240 Out of this dark cesspool of artistic destruction comes the generations of Luciferian art and agitation we are viewing and feeling in museums today. 33:01.940 --> 33:07.260 OK, talking about Gustav Metzger and his one-eye Masonic symbolism. 33:07.820 --> 33:12.840 Gustav Metzger, a Polish-Jewish artist obsessed with voids, proclaimed, and I quote, 33:12.920 --> 33:15.060 Destroy and you create, unquote. 33:15.880 --> 33:21.100 Of course, this is just more of the nihilistic nonsense started by Picasso so many years earlier. 33:21.100 --> 33:33.960 Metzger, who died in 2017, was proud of his six decades of political art and professional troublemaking and was an initiator of the Destruction in Art Symposium in 1966. 33:34.160 --> 33:36.620 There is a telling year, 1966. 33:37.920 --> 33:46.460 A telltale sign of the Jesuit presence and ideology who placed their covert support behind this kind of social agitation. 33:47.640 --> 33:50.060 Social justice, this is all Jesuitical. 33:51.260 --> 34:06.420 Metzger is an art world troublemaker, one of the many Masonic artists lackeys who give the outward appearance of being transgressive and revolutionary against the system, but in actual fact are secretly supported and rewarded by that system. 34:06.920 --> 34:17.020 That's the Jesuit game of using art to agitate, divide, and conquer. It is powerful and has fooled many. 34:17.020 --> 34:19.360 Metzger states, and I quote, 34:47.820 --> 34:54.680 What a waste of a life, lashing out at life in bitterness and creating anti-art. 34:59.560 --> 35:02.560 I will leave a link where you can read more about Metzger. 35:03.480 --> 35:15.900 Using art to create social change is a Jesuit strategy for social engineering and the manipulation of societies toward fascism and autocratic control by Rome. 35:18.060 --> 35:28.040 Observe how many peaceful nations or tribal groups have been subverted by Jesuit communist revolutions and civil wars in the 20th century alone. 35:29.040 --> 35:34.780 The list is extensive, but they are all fomented by the Jesuits in those countries. 35:35.300 --> 35:41.860 There are pictures of Jesuit priests carrying guns and assisting their murderous protégés. 35:41.860 --> 35:48.940 Oh yeah, the Jesuits get in there hands on, but these days normally they use proxies. 35:49.260 --> 35:52.980 They hide behind proxies, get somebody else to do the killing for them. 35:53.980 --> 35:56.000 But they are the controlling factor. 35:56.780 --> 36:03.440 Whether Picasso or Metzger, modern art is and has been another Jesuit Trojan horse, 36:03.440 --> 36:12.840 used for the infiltration and subversion of society with Luciferian thoughts, attitudes, and profligate, immoral lifestyles. 36:17.050 --> 36:25.630 Dear listener, art has been winding down and is gradually being emptied of its eloquence and power to inspire. 36:26.450 --> 36:35.110 Even as the art itself becomes more and more grandiose, obtuse, occultic, even vacuous or politically correct, 36:35.110 --> 36:43.410 with prices rocketing into the stratosphere, art has fallen a long way since the early experimentation of the Renaissance. 36:44.290 --> 36:50.950 Luciferian artists are selfishly building inflated careers for the purpose of legacy, which is Masonic, 36:51.690 --> 36:56.170 or future glory to the detriment of integrity in art itself. 36:56.890 --> 37:03.650 A small group of select institutional artists continually dominate the awarding of major grants and prizes. 37:03.650 --> 37:15.090 Vast sums are being invested in and spent on novelty art projects that ultimately become eye candy, entertaining crowds, and selling tickets. 37:15.630 --> 37:23.190 It's all about commerce. Art today is about commerce. It's not about the art, it's about the money. 37:24.070 --> 37:31.130 Museums are popping up everywhere like mushrooms as more businesses seek to get in on the art boom to make a buck. 37:31.130 --> 37:38.310 Most of it is factory or production line art made by specialist teams following instructions issued by the artist. 37:38.830 --> 37:43.030 A random survey of current art world calendar events reveals yet more of the same. 37:43.790 --> 37:54.470 Luciferian art takes the viewer on a closed loop circuit year after year of art infused with the same highbrow appearance, fashionable yet devoid of wholesome substance or meaning. 37:55.130 --> 38:06.470 This is done deliberately because Luciferian artists are working out an agenda geared to dumbing down the public, appealing to a base human desire for novelty and entertainment, 38:06.870 --> 38:15.270 and a growing public appetite for art that is obscure and demonic, and art produced from the heart of darkness itself. 38:15.790 --> 38:22.990 It's godless. It's about money. And it fools the people every time because they think it's so clever. 38:23.970 --> 38:28.290 It's the emperor's new clothes. There's nothing there to see really. 38:29.190 --> 38:33.710 Oh yeah, you're seeing something. But it's not what people are being told it's all about. 38:35.050 --> 38:41.390 What can be done? Unfortunately, the art world system will never change. Never. 38:41.890 --> 38:46.450 Any attempt to do so will be circumvented and co-opted by those who control the market. 38:46.450 --> 38:54.110 This has occurred a few times in the last 100 years. Every time somebody tries something new, it is co-opted by the art market system. 38:54.810 --> 38:59.690 They tried it with art fairs. That was co-opted very quickly. 39:00.430 --> 39:07.930 So everything that people try to do to break away from this control over the art market will be co-opted and quickly. 39:08.820 --> 39:18.110 Controlling the public perception of rarity while maximizing object price and desire for the object is a Luciferian specialty. 39:18.610 --> 39:22.770 All based on greed and deception. Art is a closed system. 39:23.290 --> 39:27.210 And the Masonic gatekeepers are the arbiters of prevailing taste. 39:27.610 --> 39:32.370 It's all propaganda. It's all wishy-washy. It's all whitewash. 39:33.370 --> 39:36.150 The most important thing is an awareness of what is going on. 39:36.150 --> 39:40.770 The controllers don't want anyone to know the truth. Just to keep playing the game. 39:41.490 --> 39:46.850 What passes as an art education these days is deplorable. I should know. I've been through it all. 39:47.570 --> 39:57.050 The student emerges an acolyte of cultural Marxist ideology, believing they know what art is instead of having developed a critical thinking mind. 39:57.490 --> 39:59.330 Oh no, we don't want critical thinking minds. 40:00.710 --> 40:04.070 People might actually figure out what's going on and all the nonsense. 40:05.490 --> 40:15.270 Jesuit revisionist art histories delete, omit, or conversely exaggerate facts in order to paint a different picture of the past. 40:16.570 --> 40:21.950 In the end, we think we know, but we're not sure if we know what we should really know. 40:22.530 --> 40:25.850 This is how the artists have usurped control over art and culture. 40:25.850 --> 40:34.770 By propagating ignorance in the public and in the experts, while at the same time flattering them for how clever they are. 40:38.540 --> 40:44.740 And you can learn more about the Jesuit Trojan horse infiltration of world education. I'll provide that link also. 40:46.060 --> 40:51.900 Can this problem be overcome? It's too late, because the system is now virtually uniform everywhere. 40:51.900 --> 40:59.100 The Jesuits have achieved ideological conformity in thinking worldwide by controlling the information flow through every channel. 40:59.580 --> 41:11.020 That's why artists are totally enamored with making blasphemous art, occult art, feminist art, green art, garbage art, body art, social commentary art, and cartoon art. 41:11.620 --> 41:19.220 The system is a closed loop of Luciferian production and mainstream artists are on a treadmill making what is expected and demanded of them. 41:19.220 --> 41:22.460 Compliance will be rewarded. 41:23.860 --> 41:35.600 Once again, coming full circle, 600 years later, the Roman Catholic temple cult now control art production again through their Masonic gallery and museum network. 41:36.320 --> 41:41.700 What is happening in art and culture is symptomatic of what is happening across all world systems. 41:41.700 --> 41:56.540 Luciferian content mocking and deriding all that is pure and good is much more visible in art forms and is a warning that society everywhere has been subjugated and is going down the rabbit hole. 41:57.140 --> 41:57.860 And fast. 41:58.720 --> 42:05.180 Unfortunately, most are blind to see that the emperor, art, has no clothes. 42:05.180 --> 42:15.140 Soon, however, all world systems will be merged completely into one with a one world government and religion which in fact is already here. 42:16.040 --> 42:22.300 If you are able to see that something is terribly wrong and are looking for the truth, then there is hope for you. 42:23.060 --> 42:25.620 But, time is short. 42:27.080 --> 42:34.620 God is commanding all men to repent of their sins and receive forgiveness before this world system comes to an end forever. 42:35.340 --> 42:42.360 After Jesus Christ returns, it will be too late as it will be time for the judgment of all human souls. 42:42.820 --> 42:49.040 Yes, every human soul that has ever lived will stand in judgment before God. 42:50.760 --> 42:51.860 No one will escape. 42:52.560 --> 42:55.400 And there are no second chances after this life. 42:56.460 --> 43:03.040 Jesus Christ said, I am the way, the truth, and the life. No one comes to the Father except through me. 43:03.040 --> 43:06.580 That is in John chapter 14 and verse 6. 43:08.100 --> 43:09.880 He is the only way. 43:10.600 --> 43:15.700 There is only one way to eternal life and that is the Lord Jesus Christ. 43:16.400 --> 43:19.780 The Bible says in Hebrews chapter 3 verse 7 to 8, 43:20.440 --> 43:30.260 Therefore, as the Holy Ghost today says, if you will hear his voice, harden not your hearts, as in the provocation in the day of temptation in the wilderness. 43:31.280 --> 43:40.140 So God is saying to us, not to harden our hearts, but to obey him and to find life. 43:40.900 --> 43:43.600 Time is almost up and history is almost done. 43:44.360 --> 43:46.500 So now is the time to get right with God. 43:46.760 --> 43:54.820 And I urge you, if you are listening to this message and you do not know Jesus Christ as your Lord and Savior, 43:55.760 --> 43:57.680 find him before it is too late. 43:57.680 --> 44:02.460 It is the only thing that will save you from the disaster that is coming on the earth. 44:03.580 --> 44:10.180 I will put links to reference sites in the box below to various things that I have been talking about in this blog. 44:10.720 --> 44:15.400 Thank you for listening and may God open up your eyes to the truth of this evil world system. 44:16.380 --> 44:21.480 Please share this video with others so they too might wake up from their sleep. 44:22.560 --> 44:25.280 I hope to see you in the next video.